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Interviews
Jasper Fforde
Three separate interviews in which Jasper Fforde discusses the Thursday Next series, his Nursery Crime novels and Shades of Grey, the first in a trilogy set in a future world recognizable as our own - but only just.
Abraham Verghese
An interview with Abraham Verghese about his life and writing and in particular about his extraordinary 2009 novel Cutting for Stone, set in 1960s and '70s Ethiopia and 1980s New York.
Martha A Sandweiss
An interview with Martha Sandweiss in which she discusses her book Passing Strange, a biography of Clarence King who lived a double life—as the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter named James Todd, married to Ada with whom he had five children.
Amy Greene
Amy Greene talks about her first novel, Bloodroot, which brings her native Appalachia—and the faith and fury of its people—to rich and vivid life.
   Summary and Book Reviews

A Widow For One Year: Summary and book reviews of A Widow For One Year by John Irving, plus links to an excerpt from A Widow For One Year and a biography of John Irving.

A Widow For One Year A Widow For One Year
by John Irving
Hardcover: Apr 1998,
537 pages.
Paperback: Mar 1999,
537 pages.

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Book Summary

Ruth Cole is a complex, often self-contradictory character--a "difficult" woman. By no means is she conventionally "nice," but she will never be forgotten.

Ruth's story is told in three parts, each focusing on a crucial time in her life. When we first meet her--on Long Island, in the summer of 1958--Ruth is only four.

The second window into Ruth's life opens in the fall of 1990, when Ruth is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.

A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She's about to fall in love for the first time.

Richly comic, as well as deeply disturbing A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.

Book Reviews


 Library Journal - Edward B. St. John
As in The World According to Garp, nearly every character in the book churns out reams of Irving-esque prose. It's hard to empathize with these dreary people, and their picaresque adventures seem to lack any thematic relevance. Instead of ending, the book simply runs out of steam. Still, there are legions of rabid Irving fans who will want to read every word he has written.

 Kirkus Reviews
Irving's latest LBM (Loose Baggy Monster, that is), which portrays with serio-comic gusto the literary life and its impact on both writers and their families, is simultaneously one of his most intriguing books and one of his most self-indulgent and flaccid. .... A thoughtful, if diffuse, examination of how writers make art of their lives and loves without otherwise benefitting from the process.

 New York Times
Irving's most entertaining and persuasive novel since his 1978 bestseller, The World According to Garp.

 The LA Times Book Review
Deeply affecting...The pleasures of this rich and beautiful book are manifold. To be human is to savor them.

 San Francisco Examiner-Chronicle
John Irving as at the peak of his considerable powers in A Widow for One Year, his most intricate and fully imagined novel.

 Salon - Peter Kurth
A Widow for One Year, the enormously entertaining new novel by John Irving, is all narrative, all character, all author. This is to be expected from Irving, a writer who describes his fiction as "old-fashioned" and looks to 19th century novels as the model for his work. It's the measure of his achievement here that in a book spanning 40 years and nearly 600 pages, you feel when it's over that you've spent your time wisely, not just with the story and its protagonists, but with their creator, too, whose voice remains as forceful and distinctive as his characters' without once intruding where it doesn't belong.


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