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Critics' Opinion:
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First Published:
Jun 2003, 385 pages
Paperback:
Jul 2004, 400 pages
From the author of Bread Alone comes an intimate tale of a woman, given up at birth, piecing together her mother's identity.
After a childhood spent in an institution and a series of foster homes, Avery James has trained herself not to wonder about the mother who gave her up. But her safe, predictable life changes one night at a party in the home of a wealthy Santa Fe art dealer when she stumbles upon the portrait of a woman who is the mirror image of herself.
Avery has found her mother, Isabel Colinas, an artist who died eight years earlier in a tragic accident. Slowly but inevitably, she is compelled to discover all she can about the woman. Searching for Isabel -- in her work, in the stories of friends, rivals, and lovers, in Isabel's own journal, and in what's left of Querencia, the old miner's cabin that was her haven -- Avery is drawn into complex relationships with the people who knew her mother. And the unexpected reappearance of Will Cameron, the boy Avery loved in high school, further complicates matters. As she draws together the threads of her mother's artistic heritage, her grandmother's skills as a curandera, or healer, and her own talent for cooking, Avery learns that, while discovering Isabel provides a certain resolution in her life, it's discovering herself that brings lasting happiness.
Beautifully observed and insightful, with Isabel's Daughter Judith Ryan Hendricks delivers a moving portrait of familial love -- a bond that transcends time and place.
PART ONE
santa fe
April 2000
The first time I saw my mother was the night she died. The second time was at a party in Santa Fe.
Once in history class I made a time line. It was a thick, straight black line, intersected by crosshatches representing dates and events. The teacher claimed that you could tell by studying it how events were related to each other, the causes and effects. The problem is, time isn't a straight line. I think of it more as a huge arc, curving gently into space, keeping not only the future just out of sight, but the past as well. You never really know what might have caused something to happen, and the effects ripple outward in ever widening circles.
Like losing my contact lens, for instance. I was supposed to be off this whole weekend, my last free weekend before the season gets crazy. And then Juana calls on Thursday to tell me Patrice stepped off a curb and broke her ankle and they need me to work a party Friday night. "Pinnacle Gallery on...
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