"Sometimes I wonder....Can a ghost find you, if she wants to?"
An intricate tale of love, haunting memories, and renewal, Second Glance begins in current-day Vermont, where an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.
Enter Ross Wakeman, a suicidal drifter who has put himself in mortal danger time and again. He's driven his car off a bridge into a lake. He's been mugged in New York City and struck by lightning in a calm country field. Yet despite his best efforts, life clings to him and pulls him ever deeper into the empty existence he cannot bear since his fiancée's death in a car crash eight years ago. Ross now lives only for the moment he might once again encounter the woman he loves. But in Comtosook, the only discovery Ross can lay claim to is that of Lia Beaumont, a skittish, mysterious woman who, like Ross, is on a search for something beyond the boundary separating life and death. Thus begins Jodi Picoult's enthralling and ultimately astonishing story of love, fate, and a crime of passion.
Hailed by critics as a "master" storyteller (Washington Post), Picoult once again "pushes herself, and consequently the reader, to think about the unthinkable" (Denver Post). Second Glance, her eeriest and most engrossing work yet, delves into a virtually unknown chapter of American history -- Vermont's eugenics project of the 1920s and 30s -- to provide a compelling study of the things that come back to haunt us -- literally and figuratively. Do we love across time, or in spite of it?
Ross Wakeman succeeded the first time he killed himself, but not the second or the third.
He fell asleep at the wheel and drove his car off a bridge into a lake -- that was the second time -- and was found on the shore by rescuers. When his half-sunken Honda was recovered, the doors were all locked, and the tempered glass windows were shattered like spider-webs, but still intact. No one could figure out how he'd gotten out of the car in the first place, much less survived a crash without even a scratch.
The third time, Ross was mugged in New York City. The thief took his wallet and beat him up, and then shot him in the back and left him for dead. The bullet -- fired close enough to have shattered his scapula and punctured a lung -- didn't. Instead it miraculously stopped at the bone, a small nugget of lead that Ross now used as a keychain.
The first time was years ago, when Ross had found himself in the middle of an electrical storm. The lightning, a ...
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Heartbreakingly beautiful and inescapably human, ordinary and extraordinary people chart their own courses in life. In the aftermath of one tragic afternoon, they are all forced to look at themselves and face up to the observation that the truth does not change according to our ability to stomach it.
Rebecca, a fifty-three-year-old grandmother, is caught unawares by the question of who she really is. How she answers it--how she tries to recover her girlhood self, that dignified grownup she had once been--is the story told in this beguiling, funny, and deeply moving novel.
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The Angel of Losses
"Family saga, mystery, and myth intersect in Feldman's debut novel." - Booklist
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