Jasper Fforde
Three separate interviews in which Jasper Fforde discusses the Thursday Next series, his Nursery Crime novels and Shades of Grey, the first in a trilogy set in a future world recognizable as our own - but only just.
Abraham Verghese
An interview with Abraham Verghese about his life and writing and in particular about his extraordinary 2009 novel Cutting for Stone, set in 1960s and '70s Ethiopia and 1980s New York.
Martha A Sandweiss
An interview with Martha Sandweiss in which she discusses her book Passing Strange, a biography of Clarence King who lived a double life—as the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter named James Todd, married to Ada with whom he had five children.
Amy Greene
Amy Greene talks about her first novel, Bloodroot, which brings her native Appalachia—and the faith and fury of its people—to rich and vivid life.
For two thousand years, cadavers - some willingly, some unwittingly - have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender reassignment surgery, cadavers have been there alongside surgeons, making history in their quiet way.
In this fascinating, ennobling account, Mary Roach visits the good deeds of cadavers over the centuries—from the anatomy labs and human-sourced pharmacies of medieval and nineteenth-century Europe to a human decay research facility in Tennessee, to a plastic surgery practice lab, to a Scandinavian funeral directors' conference on human composting. In her droll, inimitable voice, Roach tells the engrossing story of our bodies when we are no longer with them.
Book Reviews
Library Journal
Despite the irreverent, macabre title, this is a respectful and serious examination of what happens to cadavers, past and present.
Publishers Weekly
Starred Review. Roach…has done the nearly impossible and written a book as informative and respectful as it is irreverent and witty….Roach has a fabulous eye and a wonderful voice…. impossible to put down.
Outside
Mordantly witty
The Denver Post
Squeamish readers beware! But for the rest, this is an outrageously funny, irreverent (but respectful) account of what happens to the human body after a person has died, and that's far more involved than simple burial or cremation.
New City Chicago
Roach's deliberate carefulness diminishes the topic's gore and sets a comfortable, comic tone that finds solace in its own oddity. Certain sections of the book are nothing short of mesmerizing, namely the portions dedicated to the University of Tennessee's body farm, and the analysis of remains after plane crashes. By and large, the dead aren't very talented, Roach writes. They may not be talented, but in Stiff, they sure are fun.
Baltimore City Paper
What's so funny about being dead? Nothing, of course, if it's Grandmother. But those who work with dead bodies frequently, such as the detectives in Homicide, tend to adopt a gallows humor. Mary Roach, who saw her share of corpses by the time she was done researching Stiff, has learned how to cut the tension with a good joke. It turns out that Stiff is one of the funniest, best-written, most thoroughly researched books of the year--a constant pleasure, even when Roach is describing, in graphic detail, exploratory surgery on a cadaver.
The San Francisco Chronicle
Roach has done her homework so we don't have to. Her book's a winner.
The Chicago Sun-Times
One does not skim this book. Every detail is riveting. It is impossible to tear one's eyes away from Roach's description of the University of Tennessee Anthropological Research Facility, where at a body farm--a bucolic meadow--scores of donated cadavers decompose noisomely outdoors so that forensic scientists can better learn to sniff out clues from the bodies of murder victims.
Entertainment Weekly (Editor's Choice selection)
Because she always draws a distinction between you and your smelly carcass (not the same person, she argues), Roach gets away with the cheerfully morbid smart-ass commentary that abounds throughout. She's written one of the funniest and most unusual books of the year.
Susan Orlean, author of The Orchid Thief
Droll, dark, and quite wise, Stiff makes being dead funny and fascinating and weirdly appealling.
Joe Queenan, author of Balsamic Dreams
Mary Roach proves what many of us have long suspected that the real fun in life doesn't start until you're dead. I particularly enjoyed the sections about head transplants, black-market mummies, and how to tell if you're actually dead.
Caleb Carr, author of The Alienist
As fascinating as it is funny.... The research is admirable, the anecdotes carefully chosen, and the prose lively; and they combine to produce a book that everyone in the health care field should have to read, and everyone else will want to.
Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot is a stunning fiction debut about the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations, from the Great Depression to today.
Samara Taylor used to believe in miracles. But her mother is in rehab, and her father seems more interested in his congregation than his family. And when a young girl in her small town is kidnapped, her already-worn thread of faith begins to unravel.
When she's not digging up bones or other ancient objects, quirky, tart-tongued archaeologist Ruth Galloway lives happily alone in Norfolk. But when a child's bones are found on a desolate beach nearby, and Detective Chief Inspector Harry Nelson calls Galloway for help, Ruth finds herself in...
Few works of literature are as universally beloved as Alice’s Adventures in Wonderland. Now, in this spellbinding historical novel, we meet the young girl whose bright spirit sent her on an unforgettable trip down the rabbit hole –and the grown woman whose story is no less...
The Coral Thief, as riveting and beautifully rendered as Ghostwalk, Rebecca Stott’s first novel, is a provocative and tantalizing mix of history, philosophy, and suspense. It conjures up vividly both the feats of Napoleon and the accomplishments of those working without fame or...
I rarely read anything before this. Years ago I picked this one up and couldn't put it down. It changed me into a book nut. It was a wonderful ...
read more
I can't believe I waited so long to read this book. Shame on me. This book was wonderful, lyrical, entertaining - all the makings of a wonderful ...
read more
The book held so much for the reader but in the end I felt robbed. The evolution of Trudy was disturbing and somewhat insulting. She came across as ...
read more
Justice Department still has issues with Google Settlement(Feb 05 2010) The Department of Justice dealt a serious blow Thursday evening to the chances that the Google Book Search settlement will gain court approval later this...
Full Story
Hachette formally adopts 'agency model'(Feb 05 2010) Hachette Book Group USA became the second major U.S. publisher to officially announce its intention to move to an agency model for the sale of e-books....
Full Story
Stiff
Library Journal
Susan Orlean, author of The Orchid Thief
RSS feed
