"The air cools to crisp, carries sound farther. Last pears ripen and fall, ferment on the ground; the aroma of their wine mixes with the pungency of leaf smoke from nowhere and everywhere. At nightfall, the wing-song shrill of crickets announces that this season has a natural pathos to it, the brief and flaming brilliance of everything at the climax of life moving toward death.
"October Brown had named herself for all of that."
So begins this beautifully written coming-of-age story about a young woman who struggles to overcome her family's frightening legacy and keep her own child from similar emotional harm.
It is 1950 and October Brown is a twenty-three-year-old first-year teacher thanking her lucky stars that she found a room in the best boardinghouse for Negro women teachers in Wyandotte County, Kansas. October falls in love with an unhappily married handyman, James Wilson, but when she becomes pregnant, James deserts her. Stunned, and believing that James will eventually come back to her, October decides to have the baby. But he doesn't come back. As her reputation suffers, and with her job in jeopardy, she spends her days in self-deception and denial. Her best friend, Cora, contacts October's family: her older sister, Vergie, and her aunts Frances and Maude, who raised the sisters after their mother was killed by their father.
October goes back to her family in Ohio and gives birth to her son. Numb, she gives the child--David--to Vergie and her husband to raise as their own, then returns to Kansas City to rebuild her life. But something is missing--and, apparently too late, October realizes what she has done.
What follows is the heartrending account of October's efforts to reclaim her dignity, her profession, and her son, efforts that lead her into a bitter struggle with her sister and a confrontation with her parents' violent past. The Midwest, the flourishing of modern jazz, and the culture of segregation form a compelling historical backdrop for this timeless and universal tale of one person's battle to understand and master her own desires, and to embrace the responsibilities and promise of mature adulthood. October Suite plays a beautiful, haunting melody, turning everyday life into exceptional art.
In the Midwest, October comes in when the pale coverlet of sky lifts away, exposing an eternity of deep and certain blue. The sun no longer stares, merely glances and makes long shadows much like the uneven fading of green from trees just before the lesser pigments fire-light the whole outdoors. The air cools to crisp, carries sound farther. Last pears ripen and fall, ferment on the ground; the aroma of their wine mixes with the pungency of leaf smoke from nowhere and everywhere. At nightfall, the wing-song shrill of crickets announces that this season has a natural pathos to it, the brief and flaming brilliance of everything at the climax of life moving toward death.
October Brown had named herself for all of that. Unwittingly at first. When she began occasionally calling herself October, she was only ten years old. Others said it was ridiculous, said she was nobody trying to be somebody. But she made convincing noises about given names, how you could give one to ...
If you liked October Suite, try these:
The story a black girl in an America whose love for its blond, blue-eyed children can devastate all others. First published 1970; won the 1993 Nobel Prize. Republished 2000.
Set in the period following World War II, The Polished Hoe unravels over the course of twenty-four hours but spans the lifetime of one woman and the collective experience of a society characterized by slavery.
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Southern Gothic fantasy with a contemporary flare set in Savannah
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