Ann Beattie published her first short story in The New Yorker in 1972. Twenty-eight years later, she received the 2000 PEN/Malamud Award for Excellence in Short Fiction. She is, as the Washington Post Book World said, "one of our era's most vital masters of the short form."
The eleven stories in her new work are peopled by characters coming to terms with the legacies of long-held family myths or confronting altered circumstances -- new frailty or sudden, unlikely success. Beattie's ear for language, her complex and subtle wit, and her profound compassion are unparalleled.
From the elegiac story "The Famous Poet, Amid Bougainvillea," in which two men trade ruminations on illness, art, and servitude, to "The Big-Breasted Pilgrim," wherein a famous chef gets a series of bewildering phone calls from George Stephanopoulos, Perfect Recall comprises Beattie's strongest work in years. It is a riveting commentary on the way we live now by a spectacular prose artist.
The Big-Breasted Pilgrim
Our house in the Florida Keys is down a narrow road, half a mile from a convenience store with a green neon sign that advertises "Bait and Basics." Lowell's sister, Kathryn, called to get us to arrange for a car to drive her from Miami. She considers everywhere Lowell has ever lived to be Siberia, including Saratoga, New York, which she saw only once, during a blizzard. TriBeCa, circa 1977, was Siberia. Ditto Ashland, Oregon. In all those places, Lowell had what he now calls "The Siberian Brides": his first and second wives, who gradually became as incomprehensible to him as foreigners: Tish, who lived with us in Saratoga and later in TriBeCa; Leigh Anne Leighton -- a name so melodic he always speaks of her that way, even though it seems inordinately formal -- who lived with us for a month in Ashland before flying to Los Angeles for her grandfather's funeral, from which she never returned. This was no case of riding forever 'neath the streets of ...
If you liked Perfect Recall, try these:
A collection of stories that weave themselves around the idea of love---love to seek and love to flee; love as desire, as guilt, as confusion or self-betrayal; love as habit, as affair, and as life-changing rebellion.
Adept at both snapshots and long exposures, Lara Vapnyar writes of life's adventures and possibilities, its disappointments and unexpected turns, with delicate humor, brilliant timing, and striking emotional honesty.
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Southern Gothic fantasy with a contemporary flare set in Savannah
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