On a chilly February day, two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence. Clive is Britain's most successful modern composer; Vernon is editor of the quality broadsheet The Judge. Gorgeous, feisty Molly had had other lovers, too, notably Julian Garmony, foreign secretary, a notorious right-winger tipped to be the next prime minister.
In the days that follow Molly's funeral, Clive and Vernon will make a pact with consequences neither has foreseen. Each will make a disastrous moral decision, their friendship will be tested to its limits, and Julian Garmony will be fighting for his political life.
In Amsterdam, a contemporary morality tale that is as profound as it is witty, we have Ian McEwan at his wisest and most wickedly disarming. And why Amsterdam? What happens there to Clive and Vernon is the most delicious climax of a novel brimming with surprises.
Winner of the 1998 Booker Prize.
BOOK REVIEWS
Media Reviews
Publishers Weekly
As swift as a lethal bullet and as timely as current headlines, McEwan's Booker Prize-winning novel is a mordantly clever but ultimately too clever for its own good....That said, however, it will undoubtedly hit the bestseller charts, for McEwan, even when not quite at the top of his form, is a writer of compelling gifts
The New York Times - Michiko Kakutani
[In Amsterdam] are the simple pleasures of reading a writer in complete command of his craft, a writer who has managed to toss off this minor entertainment with such authority and aplomb that it has won him the recognition he has so long deserved.
The Washington Post Book World - Michael Dirda
Though McEwan addresses several serious themes--in particular, the conflict between personal desire and public responsibility--his ingenious conte cruel possesses the lightness of touch and split-second plotting of an operetta.... There is no huffing and puffing, no waste, no mess. Every sentence carries the fugue-like plot forward to the final catastrophe.
The Independent on Sunday - Alain de Botton Amsterdam is a pitiless study of the darker aspects of male psychology, of male paranoia, emotional frigidity, sexual jealousy, professional rivalry and performance anxiety....Despite the darkness of the themes, or perhaps because of them, Amsterdam is extremely funny in a black sort of way....Ghoulishly compelling.
Recent Reader Reviews
Rated of 5
by Ewa
I'm a Polish student and had to read that book for an English competition. I've chosen it mainly because it had so many good opinions and was rewarded a prize. Contrary to what the 'pundits' may say, I found that book a bit boring. And that... Read More
Rated of 5
by jpj
For some reason I can say I've read everything by McEwan and this book, although it won a Booker Prize, is not his best. At least to me. The ending is down right stupid and loses the entire tone of the novel. And if McEwan meant it that way, than... Read More
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