In this final volume of The Border Trilogy, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, in the still point between their vivid pasts and uncertain futures, to confront a country changing or already changed beyond recognition.
In the fall of 1952, John Grady Cole and Billy Parham--nine years apart in age, yet with a kinship greater than perhaps they know--are cowboys on a New Mexico ranch encroached upon from the north, at Alamogordo, by the military. To the south, always on the horizon are the mountains of Mexico, looming over El Paso, Ciudad Juárez and all the cities of the plain.
Bound by nature to horses and cattle and range, these two discover that ranchlife domesticity is compromised, for them and the men they work with, by a geometry of loss afflicting old and young alike, those who have survived it and anyone about to try. And what draws one of them across the border again and again, what would bind "those disparate but fragile worlds," is a girl seized by ill fortune, and a love as dangerous as it is inevitable.
This story of friendship and passion is enfolded in a narrative replete with character and place and event--a blind musician, a marauding pack of dogs, curio shops and ancient petroglyphs, a precocious shoe-shine boy, trail drives from the century before, midnight on the highway--and with landforms and wildlife and horses and men, most of all men and the women they love and mourn, men and their persistence and memories and dreams.
With the terrible beauty of Cities of the Plain--with its magisterial prose, humor both wry and out-right, fierce conviction and unwavering humanity--Cormac McCarthy has completed a landmark of our literature and times, an epic that reaches from tales of the old west, the world past, into the new millennium, the world to come.
Late that night lying in his bunk in the dark he heard the kitchen door close and heard the screendoor close after it. He lay there. Then he sat and swung his feet to the floor and got his boots and his jeans and pulled them on and put on his hat and walked out. The moon was almost full and it was cold and late and no smoke rose from the kitchen chimney. Mr Johnson was sitting on the back stoop in his duckingcoat smoking a cigarette. He looked up at John Grady and nodded. John Grady sat on the stoop beside him. What are you doin' out here without your hat? he said.
I don't know.
You all right?
Yeah. I'm all right. Sometimes you miss bein' outside at night. You want a cigarette?
Could you not sleep either?
No sir. I guess not.
How's them new horses?
I think he done all right.
Them was some boogerish colts I seen penned up in the corral.
I think he's goin' to sell off some of them.
Horsetradin', the old man said...
If you liked Cities of The Plain, try these:
Set in the dramatic landscape of Western Australia, this is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music.
Set in the last years of the nineteenth century. Julie and Hank's new life in the valley of Gap Creek, in the Appalachian high country, is more complicated than the couple ever imagined.
Members read and review books ahead
of publication. See what they think
in First Impressions!
Visitors can view a lot of BookBrowse for free. Full access is for members only
What really knocks me out is a book that, when you're all done reading, you wish the author that wrote it was a ...
Click Here to find out who said this, as well as discovering other famous literary quotes!
Solve this clue:
and be entered to win..
Books thatinspire you.Handpicked.
Books you'll stay up all night reading; books that will whisk you to faraway places and times, books that will expand your mind and inspire you -- the kinds of books you just can't wait to tell your friends about.