Hailed as a "supreme storyteller" (Philadelphia Inquirer) for his "cunning, dismaying and beautifully conceived" fiction (New York Times), Akhil Sharma is possessed of a narrative voice "as hypnotic as those found in the pages of Dostoyevsky" (The Nation). In his highly anticipated second novel, Family Life, he delivers a story of astonishing intensity and emotional precision.
We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.
Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival.
My father has a glum nature. He retired three years ago, and he doesn't talk much. Left to himself, he can remain silent for days. When this happens, he begins brooding, he begins thinking strange thoughts. Recently he told me that I was selfish, that I had always been selfish, that when I was a baby I would start to cry as soon as he turned on the TV. I am forty and he is seventy-two. When he said this, I began tickling him. I was in my parents' house in New Jersey, on a sofa in their living room. "Who's the sad baby?" I said. "Who's the baby that cries all the time?"
"Get away," he squeaked, as he fell back and tried to wriggle away. "Stop being a joker. I'm not kidding." My father is a sort of golden color. Skin hangs loosely from beneath his chin. He has long thin earlobes the way some old people have.
My mother is more cheerful than my father. "Be like me," she often tells him. "See how many friends I have? Look how I'm ...
The choice of the first-person narrative is just right for the story, which above all, can be read as a special twist on the coming-of-age narrative. In fact, Sharma’s light-handed touch belies the expert way in which he slowly moves the focus away from the accident and the older brother to young Ajay. As the tragedy is now viewed through the rearview mirror, it’s all about the child and his self-centered preoccupation with young adulthood.
(Reviewed by Poornima Apte).
Full Review (1162 words).
In Family Life, the Mishras make their home in the New Jersey suburb of Iselin. Iselin and its sister suburb, the township of Edison, are known to most Indians across the United States as the place to visit for anything Indian. It's here that you can indulge a craving for Mumbai street food, check out the latest fashions, or pick up a new Bollywood movie on DVD.
Ethnic enclaves, local regions with significant concentrations of people of a particular ethnicity have always been a part of the United States, a country made up of immigrants. These enclaves serve to cushion the harshness of immigration, giving residents a taste of the mother country before they get fully assimilated into the adopted one. While large urban centers have ...
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