Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty "Handful" Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke's daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.
Kidd's sweeping novel is set in motion on Sarah's eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other's destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love.
As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women's rights movements.
Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful's cunning mother, Charlotte, who courts danger in her search for something better.
This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved.
Hetty Handful Grimke
There was a time in Africa the people could fly. Mauma told me this one night when I was ten years old. She said, "Handful, your granny-mauma saw it for herself. She say they flew over trees and clouds. She say they flew like blackbirds. When we came here, we left that magic behind." My mauma was shrewd. She didn't get any reading and writing like me. Everything she knew came from living on the scarce side of mercy. She looked at my face, how it flowed with sorrow and doubt, and she said, "You don't believe me? Where you think these shoulder blades of yours come from, girl?" Those skinny bones stuck out from my back like nubs. She patted them and said, "This all what left of your wings. They nothing but these flat bones now, but one day you gon get 'em back."
I was shrewd like mauma. Even at ten I knew this story about people flying was pure malarkey. We weren't some special people who lost our magic. We were slave people, and we weren't...
The relationships between the characters in The Invention of Wings and their struggles – both real and imagined – bring a deeply polarized time in American history vividly to life. This is a page-turning narrative, with intricate plot twists, by a truly riveting storyteller.
(Reviewed by Judi Sauerbrey).
Full Review (1127 words).
Among the many unifying symbols in all the intertwining relationships that course through The Invention of Wings, one of the most important concerns is not another person but a quilt.
"This a story quilt," Mauma Charlotte tells her daughter Handful. "My mauma made one and her mauma before her. All my kin in Africa...kept their history on a quilt." Later, as Handful stitches the appliquéd squares together, she begins to understand just how much of her mother – her earlier life in Africa, her experiences with slavery – is in the quilt. "Mauma had sewed where she came from, who she was, what she loved, the things she suffered, and the things she'd hoped. She'd found a way to tell it."
In her book, Stitched From the ...
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