In the National Book Awardwinning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called"an emotional tour de force." Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined.
Newfoundland, 1919. Two aviatorsJack Alcock and Arthur Brownset course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War.
Dublin, 1845 and '46. On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist causedespite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave.
New York, 1998. Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland's notoriously bitter and volatile peace talks to an uncertain conclusion.
These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory.
The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year.
McCann had me hooked me on his writing from his novel Dancer on. He has proven time and again that he is a powerhouse among contemporary fiction writers. He understands that what binds humanity together are not broad, panoramic moments but the smaller-scale happenings that bring those large historical events home to the everyday person...TransAtlantic is an absolute tour-de-force. If you can read only one book this year, this should be it. (Reviewed by Poornima Apte).
Starred Review. A beautifully written novel, an experience to savor.
A beautiful writer . . . This is what interests McCann: lives made amid and despite violence; the hidden braids of places, times, and people; the way the old days ‘arrive back in the oddest ways.’
his novel is beautifully hypnotic in its movements, from the grand (between two continents, across three centuries) to the most subtle. Silkily threading together public events and private feelings, TransAtlantic says no to death with every line.
Recent Reader Reviews
Rated of 5
by Diane S. Transatlantic Trite but true, all good things must come to an end. I so wanted to keep reading the wonderful prose, the settings that let one think they are part of the story, and the wonderful characters that this novel contains. McCann has the knack of... Read More
One of the historical events that frames TransAtlantic is Frederick Douglass's visit to Ireland. Douglass was an escaped slave and later became a champion abolitionist. In late 1845, he visited Ireland as part of a two-year lecture tour through Ireland, Scotland and England. Douglass had escaped seven years earlier and had published his autobiography, Narrative of the Life of Frederick Douglass, An American Slave. As Douglass traveled through Ireland, through Belfast, Cork and Dublin, he was greeted enthusiastically.
It was in Ireland that he met Daniel O'Connell (1775-1847), who brought an important Catholic voice to the Irish opposition to slavery. Even though the two shared the stage only very briefly, during a September 1845 rally in Dublin, the meeting would serve as inspiration for Douglass who is said to have remarked that O'Connell's "voice made...
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