Lydia Millet is "one of the most acclaimed novelists of her generation" (Scott Timberg, Los Angeles Times). This stunning novel introduces Susan Lindley, a woman adrift after her husband's death. Suddenly gifted her great uncle's Pasadena mansion, Susan decides to restore his extensive collection of preserved animals, tending to "the fur and feathers, the beaks, the bones and shimmering tails." Meanwhile, a menagerie of uniquely damaged humans - including a cheating husband and a chorus of eccentric elderly women - joins her in residence.
Millet's "flawlessly beautiful" (Salon) prose creates a setting both humorous and wondrous as Susan defends her inheritance from freeloading relatives and explores the mansion's many mysterious spaces. Funny and heartbreaking, Magnificence is the story of a woman emerging from the sudden dissolution of her family. Millet's trademark themes - evolution and extinction, children and parenthood, loss and wonder - produce a rapturous final act to the critically acclaimed cycle of novels that began with How the Dead Dream.
Magnificence is, like much of her work, aware of the issues close to the author’s heart - environmental degradation, extinction of languages and cultures, the decline of biodiversity - but anyone who’d call it, or any of her novels, “activist” is missing exactly what makes them anathema to that kind of writing: Millet’s fierce loyalty to character. Magnificence is painfully, wincingly, hilariously human. (Reviewed by Morgan Macgregor).
Los Angeles Times
Lydia Millet's Magnificence is a novel of ideas. I mean that as a high compliment, for the ideas Millet invokes are the only ones that matter: life, death, love, longing, extinction, the ongoing existential quandary of what we are doing here.
Cleveland Plain Dealer
Exquisite and wholly original.
San Francisco Chronicle
[U]unnervingly talented Lydia Millet completes a trilogy... each stands independently; you can read just one of them if you please...There is something of Paula Fox in the way Millet provokes deep thinking without being overbearing. But I hate to compare Millet to anyone; she's truly an original.
The Daily Beast
Millet is simply an incredible writer. Her prose displays the exceedingly rare combination of philosophical introspection with poetic grace and flourish.
The deeply honest, beautiful meditations on love, grief and guilt give way to a curlicued comic-romantic mystery complete with a secret basement and assorted eccentrics.
Starred Review. A dazzling prose stylist, Millet elevates her story beyond that tired tale of a grieving widow struggling to move on, instead exploring grief and love as though they were animals to be stuffed, burrowing in deep and scooping out the innermost layers.
Starred Review. Millet is extraordinarily agile and powerful here, moving from light to shadow like a stalking lioness as Susan's strange stewardship casts light on extinction and preservation, how we care for others and seek or hide truth, and crimes both intimate and planetary.
Starred review. [A] refreshingly buoyant and unsentimental tale… Millet’s spare but powerful prose… calls to mind the work of J.M. Coetzee.
Even if the book might not quite be about them, Magnificence, like much of Millet's fiction, features animals prominently. When asked about her use of animals in her novels, Millet said, in an interview with Bookforum:
"We lose the subject of animals when we move out of childhood. In childhood animals are all around us, and then we throw them out. In childhood they're everywhere, the stuff of our stories and our art and our songs, of our clothes and blankets, of toys and games. Then in adulthood they're distant symbols or objects. They're rudely ejected from our domain. They're frivolous or infantile, suddenly. They're what we eat or maybe pets. Sometimes they're what we kill. But this makes no sense. This impoverishes our imaginations. When we turn away from animals as though they're only childish things, we make our world colder and more narrow. We rob ourselves of beauty and understanding. We rob ourselves of the capacity for empathy. My books are about empathy more than anything else, the idea that you...
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