Red Plenty: Summary and book reviews of Red Plenty by Francis Spufford, plus links to an excerpt from Red Plenty and a biography of Francis Spufford.

Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne. Paperback original

BookBrowse

Since the author's overarching focus is on the collapse of the Soviet planned economy, the book contains a fair amount of economic theory. The first chapter is pretty difficult to get through, but stick with it - the novel is fantastic, and Spufford's creative narrative device is a winner. None of his writing is dry or boring - Spufford couches these theories and history lessons wonderfully through his characters' stories - however there are portions that require careful reading.  (Reviewed by Poornima Apte).

Full Review (1076 words).

Media Reviews

Publishers Weekly Extensively researched and both convincing and compelling in its idiosyncrasies (despite the author's admission that he speaks no Russian), this genre-bending book surprises in many ways.   Library Journal Recommended for history and fiction readers with a taste for dystopian works like 1984 and for sweeping novels like those by Theodore Dreiser.   Kirkus Reviews Starred Review. A highly creative, illuminating, genre-resisting history. The Believer A hammer-and-sickle version of Altman's Nashville, with central committees replacing country music... [Spufford] has one of the most original minds in contemporary literature.   The Sunday Telegraph (UK) A virtuoso piece of storytelling, a series of vividly imagined episodes – by turns funny, poignant, spine-chilling and warm – that conjure up a richly detailed world... A thrilling book that all enthusiasts of the Big State should read.   The Guardian (UK) Spufford has long had a somewhat eclectic interest in the interactions of science, technology and society, as evidenced by Backroom Boys, his tales of post-1945 British 'boffins', and he has certainly done his homework here. It isn't every work of historical faction that is backed up by 70 pages of footnotes, references and sources.   The Independent (UK) Style judgements are highly subjective, but the mixture of the historical and fictitious became irritating. To give Spufford his due, his 50 pages of painstaking notes clarify what is documented fact and what fiction. But the coexistence of the two, the invention of episodes and meetings, the transfer of historical events from one place and time to another, poses a fundamental question about what this book intends to be: history or fiction?

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