Books and documentaries about the Lewis and Clark Expedition have proven popular in recent years, but Campbell McGrath opens a new window onto this famous duo by focusing on one of its lesser-known figures: George Shannon, an 18-year-old expedition member who became lost from the group for sixteen days. Shannon himself kept no record of what happened during his accidental sojourn on the prairie (present-day Nebraska and South Dakota), so McGrath has free reign to re-create the young explorer's shifting emotions when confronted by the immensity of the wilderness. Implementing the perfect blend of high and low diction, McGrath captures Shannon's voice without strain or pretension in a series of free verse poems, one for each day spent wandering.
Shannon's initial annoyance at having to pursue a pair of lost horses soon turns to awe in the face of a mysterious landscape; it is likely that he was the first American settler to see this part of the country, and he experiences a corresponding sense of vertigo. Indeed, McGrath portrays Shannon as a kind of secular prophet wandering in the desert. Shannon's disdain for organized religion stems from a preacher's glib assertion that Shannon's younger brother drowned because God works in mysterious ways. Later in the narrative, Shannon grapples with how a loving God could allow a boy to die, but in poem 5, he recounts a sort of holy epiphany that he once had in Kentucky when, tapping trees for syrup, he came upon a blooming tree and "beheld the shape of the thing exactly/As a revelation/In the form of an angel…That was a true & terrible fear/& near as I ever came/Or will come to believing."
When he finally becomes delirious after days without food, he has a similar experience as he notes "the river of light widening towards sunrise/this astonishment of grass, this extravagance/animals in the darkness all around me…" In a bold break from the controlled stanzas and capitalized line openings of most of the previous poems, McGrath here visually conveys a herd of buffalo stampeding across the prairie by switching to lower case and clustering the word "buffalo" in various configurations over three pages. Shannon ends this section with the declaration "I am the buffalo god, behold my kingdom," a ringing statement that cements his connection to the land in defiantly anti-theistic tones.
Abbreviated from "Biography-in-verse" by Marnie Colton