An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China.
China has 130 million migrant workersthe largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in Chinas Pearl River Delta.
As she tracks their lives, Chang paints a never-before-seen picture of migrant lifea world where nearly everyone is under thirty; where you can lose your boyfriend and your friends with the loss of a mobile phone; where a few computer or English lessons can catapult you into a completely different social class. Chang takes us inside a sneaker factory so large that it has its own hospital, movie theater, and fire department; to posh karaoke bars that are fronts for prostitution; to makeshift English classes where students shave their heads in monklike devotion and sit day after day in front of machines watching English words flash by; and back to a farming village for the Chinese New Year, revealing the poverty and idleness of rural life that drive young girls to leave home in the first place. Throughout this riveting portrait, Chang also interweaves the story of her own familys migrations, within China and to the West, providing historical and personal frames of reference for her investigation.
A book of global significance that provides new insight into China, Factory Girls demonstrates how the mass movement from rural villages to cities is remaking individual lives and transforming Chinese society, much as immigration to Americas shores remade our own country a century ago.
Factory Girls does not propose solutions, nor is it meant as a comprehensive guide to current trends in the industry. Instead the author leaves it up to the reader to draw his or her own moral conclusions. Although some readers may notice an absence of the more salient controversies (from the USA point of view) surrounding the factories, such as extensive discussions on unionization or the lack thereof, livable wages, or whether or not foreign corporations should be outsourcing their manufacturing processes in the first place, the author appears to be focusing more on the human-interest perspective, and as such, succeeds wonderfully when it comes to following Chunming, one of the main subjects, whose journey rivals that of any fictional protagonist. One of the highlights occurs when Chang visits Chunming's family. Growing up in a communal village where privacy is nominal goes a long way towards explaining the initial loneliness the girls experience in an anonymous city like Dongguan, but also the freedom most of them come to appreciate, even when it comes at a high cost. (Reviewed by Karen Rigby).
A gifted storyteller, Chang plumbs these private narratives to craft a work of universal relevance.
Somewhat bland and meandering, but in-depth reporting contributes significantly to our knowledge about China's development.
Rising head and shoulders above almost all other new books about China, this unflinching and yearningly compassionate portrait of the lives and loves of ordinary Chinese workers is quite unforgettable: it presents the first long, hard look we have ever taken at the people who are due to become, before very much longer, the new masters of the world.
Often people ask me, 'What's it like for women in China today?' From now on I'll recommend Leslie T. Chang's Factory Girls, which is brilliant, thoughtful, and insightful. This book is also for anyone who's ever wondered how their sneakers, Christmas ornaments, toys, designer clothes, or computers are made. The stories of these factory girls are not only mesmerizing, tragic, and inspiring—true examples of persistence, endurance, and loneliness—but Chang has also woven in her own family's history, shuttling north and south through China to examine this complicated country's past, present, and future.
Immersion Journalism Factory Girls is an example of immersion journalism. Immersion
journalism involves more depth than traditional newspaper reporting, which is
limited by column space and time, and includes less of the reporter's own
thoughts and reactions to events. Classic examples include Truman Capote's
In Cold Blood (1966), Joan Didion's Slouching Towards Bethlehem (1968), and
George Orwell's Homage to Catalonia (1952). More recent examples include
Nickel & Dimed and
The style is related to but different from New Journalism, which developed in the 1960s and 70s and
was first described by Tom Wolfe. New Journalism, which tends to be found
in magazines, not newspapers, uses dialogue, the first-person point of view,
scenes and everyday details about the subjects' lives, referred to as "status
Narrative journalism, literary journalism, and creative nonfiction are sometimes
used synonymously to refer to New Journalism, which uses features one might...
With erudite prose and carefully chosen illustrations, this unique work of metatourism explores what cities are and how they work. It covers history, customs and language, districts, transport, money, work, shops and markets, and tourist sites, creating a fantastically detailed portrait of the city through history and into the future.
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