Its the middle of a hot, dusty St. Petersburg summer in the late 1860s. A doctor brings home a fancy box of chocolates for his wife and son - a strange gift on a scorching Saturday afternoon. Within an hour, both mother and child die an excruciating death, and the doctor is immediately arrested, suspected of poisoning. As investigator Porfiry Petrovich concedes, in such cases the obvious solution often turns out to be the correct solution. And in the citys sweltering, oppressive atmosphere, even he lacks the energy to delve any deeper.
But when additional, apparently unconnected, murders occur on the other side of town, a subtle and surprising pattern starts to emerge. Porfiry is forced to reassess his assumptions and follow a tenuous, uncertain trail that takes him into the hidden, squalid heart of the city and brings him face to face with incomprehensible horror and cruelty.
While characterization is a commanding aspect of Morris's book the author is equally adept at grounding the story with a powerful sense of place and time. He depicts the political atmosphere of mid 19th century Imperial Russia using a light, almost painterly, hand. Subtle hints to the era's diverse attitudes toward the Tsar and government in general lie buried within the dialog. More explicit descriptions of the sweltering summer heat plus lengthier passages portraying the unspeakably bleak living conditions of the very poor who suffered the brunt of a seasonal cholera outbreak are blended seamlessly into the narrative, providing a fullness that animates the story. (Reviewed by Donna Chavez).
Entertainment Weekly - Jake Tracer
[H]is precise language voices the 19th century's fixation on science and reminds us why Petrovich was a creation of genius the first time around. B+
Starred Review. While the person behind the crimes is a little unlikely, this novel stands out from a number of fine czarist-era mysteries—by Russians and foreigners alike—like a Fabergé egg at a yard sale.
Morris seamlessly and brilliantly segues from intensely grave to laugh-out-loud funny. Provocative, satirical insights into humanity's darker corners.
Sunday Times - Joan Smith
Morris’s descriptions of the horrors of insanitary slum dwellings in St Petersburg are extraordinarily vivid, but the most striking feature of the novel is the way in which Porfiry’s sophisticated understanding of human nature compensates for the limited investigatory tools at his disposal.
The Daily Telegraph
R N Morris has a knack for showing the dark side of the city. It bristles with depravity and deception, lunatic bureaucracy and melodrama, and one is left stifled by a revulsion towards every individual involved.
Investigator Petrovich is a very engaging hero, eagle-eyed, with a sharp laconic wit, endless patience for his geeky sidekick and a soothing manner, especially when faced with beautiful, flirtatious women. Full marks to the author for bringing Petrovich back to life in this ambitious work that is a real pleasure to read.
This is an excellent, very enjoyable, historical crime mystery which captures both the feel and atmosphere of 19th century Russia as a decaying Kafka-esque empire waiting for a revolution.
Just as "Joanie Loves Chachi" and "Laverne & Shirley" spun off with a focus
on minor characters originally seen in the original television series "Happy
Days," so too are there literary spinoffs. A spinoff is different from a sequel in
that it does not continue the protagonist's story, instead it is drawn either
from the backstory or from the viewpoint of a secondary character who appears in
the original tale. In literature, as in life, every well-drawn individual can be
the star of their own show. In A Vengeful Longing Morris takes the
relatively minor-yet-key character of the police magistrate and makes him the
center of his own set of novels (consisting so far of
The Gentle Axe and A Vengeful Longing). It is, to my limited
knowledge, the first spinoff inspired by a Dostoevsky novel.
Although I know there must have been dozens if-not-hundreds before it, the first
literary spinoff I recall reading was Tom Stoppard's Rosencrantz and
Guildenstern Are Dead, inspired by none other than William Shakespeare's...
A Man Called Intrepid author dies aged 89(Dec 03 2013) William Stevenson, a journalist and author who drew on his close ties with intelligence sources to write two best-selling books in the 1970s, A Man Called...