S.J. Parris
S.J. Parris writes about her inspiration for Heresy, which masterfully blends true events with fiction into a page-turning murder mystery set on the sixteenth-century Oxford University campus.
Adam Haslett
A conversation with Adam Haslett, author of Union Atlantic, a deeply affecting portrait of the modern gilded age, the first decade of the twenty-first century.
The Enchantress of Florence: Summary and book reviews of The Enchantress of Florence by Salman Rushdie, plus links to an excerpt from The Enchantress of Florence and a biography of Salman Rushdie.
The Enchantress of Florence
by
Salman Rushdie
Hardcover: May 2008,
368 pages.
Paperback: Jan 2009,
368 pages.
A tall, yellow-haired, young European traveler calling himself “Mogor dell’Amore,” the Mughal of Love, arrives at the court of the Emperor Akbar, lord of the great Mughal empire, with a tale to tell that begins to obsess the imperial capital, a tale about a mysterious woman, a great beauty believed to possess powers of enchantment and sorcery, and her impossible journey to the far-off city of Florence.
The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man’s world. It is the story of two cities, unknown to each other, at the height of their powers–the hedonistic Mughal capital, in which the brilliant Akbar the Great wrestles daily with questions of belief, desire, and the treachery of his sons, and the equally sensual city of Florence during the High Renaissance, where Niccolò Machiavelli takes a starring role as he learns, the hard way, about the true brutality of power.
Vivid, gripping, irreverent, bawdy, profoundly moving, and completely absorbing, The Enchantress of Florence is a dazzling book full of wonders by one of the world’s most important living writers.
Book Reviews
BookBrowse - Sarah Sacha Dollacker
Rushdie's larger points that literature (storytelling) should be the agent for understanding and that people are essentially the same is well heard and, after 500 pages, well-explained, but the novel contemplates little else. The plot circulates around itself, and though some scenes (sections in Italy and Akbar's palace come to mind) are lucid and engaging, the nonlinear sections are so frequent and so confusing that they undermine any brilliance the clearer narrative sections possess. One finds oneself anxiously looking forwards and backwards in the narrative for a point of reference; and the slog is difficult. There are clear, beautiful moments to be found; and some of the characters, The Enchantress for one, jump off the page. Yet, the plot and the connection between the characters is unclear. By the end, it seems that the novels objective is simply to confuse, providing neither the benefit of a satisfying conclusion or the key to the central riddle.
Overall, there are some brilliant moments and those fond of Rushdie's earlier works might be interested in wading into this one. Full Review (members only, 954 words).
Kirkus Reviews
Readers who succumb to the spell of Rushdie's convoluted, cross-continental fable may find it enchanting; those with less patience could consider it interminable.....Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.
Booklist
Starred Review. Entertainment of the highest literary order.
Library Journal
Starred Review. Rushdie's lushly evocative creation of the mysteries and intrigues of a medieval world and his enchanting and seductive stories captivate and transport us in ways reminiscent of his early novels like Midnight's Children and The Satanic Verses.
New York Times - David Gates The Enchantress of Florence is so pious — especially in its impiety — so pleased with itself and so besotted with the sound of its own voice that even the tritest fancies get a free pass. "But imagine, Jodha," Akbar tells his imaginary wife, "if we could awake in other men’s dreams and change them, and if we had the courage to invite them into ours. What if the whole world became a single waking dream?" Not that again — didn't Samuel Johnson squelch such Berkeleyan whimsies back in the 18th century by kicking a stone? Maybe it's just my philistine cussedness talking, but life’s just too short.
Los Angeles Times - Amy Wilentz
The magical realism in "Enchantress" is all artifice and diversion. Its decorative beauty disguises truth, or avoids it, and keeps the reader pointlessly mystified. No style should be a substitute for a story. Plot is the hard work of novel-writing. Rather than dealing with difficult reality, which is the writer's perhaps unpleasant but necessary duty, Rushdie forces Qara Köz from the Mughal Empire into Florence to make a few dubious points, distracting readers from the logistical plot problems in the book's flabby middle. In magical realism as it is practiced by Rushdie, timelines are as naught. Simultaneity is all. This can make the work seem less like great literature and, at moments, more like automatic scribbling.
Bloomberg
Blending ornate imagery with knowing, saber-swift wit to conjure up cunning escapes, dashing victories and legendary seductions…beyond its magical razzle-dazzle lays a work of steely contemporary relevance.
Elle
[A] prodigious fever dream of a book…A beguiling, incandescent tale of travel, treachery, and transformation
The Economist
Paragraph by paragraph, this is a carefully wrought and often exquisite book, but the overall effect is as rich and stultifying as a month-long diet of foie gras.
Of course, like Bellow and Mr Roth, Mr Rushdie's mediocre writing exceeds most novelists' best. But Mr Rushdie ought to bear in mind that a novelist is at heart a storyteller, not a serial creator of self-delighting sentences.
Sunday Times - Helen Dunmore
In fact, whether it is a novel at all in the usual sense of the word is doubtful. It's a haul of stories, gathered with magpie glee, arranged to glitter. Self-consciousness is one of the book's main purposes. Rushdie keeps coming back to his reflections on the nature of story itself, and the way in which a human being understands himself and his dilemma through story.
The Guardian (UK)
This brilliant, fascinating, generous novel swarms with gorgeous young women both historical and imagined, beautiful queens and irresistible enchantresses... ...[a] sumptuous, impetuous mixture of history with fable.
Financial Times - John Sutherland
For Rushdie, the pen is a magician’s wand…If The Enchantress of Florence doesn’t win this year’s Man Booker I’ll curry my proof copy and eat it.
The Telegraph - Stephen Abell
[A] splendid farrago...An all-dancing, colourful performance leaping up from the pages.
India Today
Rushdie, like an inspired fabulist, achieves the impossible by turning the tale of two cities into a narrative of perpetual reinvention. An exuberant celebration of storytelling…a story that enchants the reader and enriches the art of the novel.
You are about to travel to Edgecombe St. Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family.
The Postmistress is an unforgettable tale of the secrets we must bear, or bury. It is about what happens to love during wartime, when those we cherish leave. And how every story-of love or war-is about looking left when we should have been looking right.
Masterfully blending true events with fiction, this blockbuster historical thriller delivers a page-turning murder mystery set on the sixteenth-century Oxford University campus.
Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.
Lisa See has written a great book! This story is satisfying on many levels, some scenes horrifying, but seemingly truthful, and her handling of the ...
read more
I was sorry to see that there were so few reviews. I started reading COAL and could not stop. The only thing I am going to say is that I wish ...
read more
The tragedy, the sorrow, the loss, is almost too much for me to recommend this; on the other hand Mistry made me believe I knew these characters. I ...
read more
Amazon's e-pricing threats(Mar 18 2010) With Apple's iPad launch just weeks away, Amazon raised the stakes again when it threatened to stop directly selling the books of some publishers online...
Full Story
UK Orange Award longlist announced(Mar 17 2010) Hilary Mantel, Sarah Waters and Barbara Kingsolver have made the longlist for the 2010 Orange Prize, a 20-strong list described by chair Daisy Goodwin as...
Full Story
The Enchantress of Florence
BookBrowse - 
(members only, 954 words).
Booklist
New York Times - David Gates
Los Angeles Times - Amy Wilentz
RSS feed
