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Cheating at Canasta: Stories: Summary and book reviews of Cheating at Canasta: Stories by William Trevor, plus links to an excerpt from Cheating at Canasta: Stories and a biography of William Trevor.
Cheating at Canasta: Stories Stories
by
William Trevor
Hardcover: Oct 2007,
240 pages.
Paperback: Sep 2008,
240 pages.
The publication of a new book by William Trevor is a great literary event. Trevor’s last collection, A Bit on the Side, was named a New York Times Notable Book and hailed as one of the Best Books of the Year by papers from coast to coast, including The Washington Post and San Francisco Chronicle. And his earlier collection, After Rain, published in 1996, was named one of the eight best books of the year by The New York Times.
Trevor’s precise and unflinching insights into the hearts and lives of ordinary people are evidenced once again in this stunning new collection. From a chance encounter between two childhood friends to the memories of a newly widowed man to a family grappling with the sale of their ancestral land, Trevor examines with grace and skill the tenuous bonds of our relationships, the strengths that hold us together, and the truths that threaten to separate us. Subtle yet powerful, his stories linger with the reader long after the words have been put away.
Book Reviews
BookBrowse - Lucia Silva
Many book clubs are hesitant to discuss short story collections, and understandably so – it can be difficult to know where to start with so many plotlines, characters and competing ideas; but choosing just two or three stories from a collection to discuss makes for great conversation – and Cheating at Canasta would be a great place to start. The plots and characters raise complex, relevant, and immediately discussable issues, and Trevor's style is wonderfully readable. Short stories are also great for discussing an author's form and style, as their length reduces the scale a little, helps you see the shape and techniques more clearly – and since they're short, you can easily read a story several times to get in even deeper. Try choosing just three stories to discuss from a collection and see what you think! Full Review (members only, 1105 words).
Publishers Weekly
Starred Review. The book as a whole recalls Joyce's Dubliners in making melancholia a powerful narrative device.
Booklist - Brad Hooper
Starred Review. Trevor offers proof he can't be labeled stale in presentation or old-fashioned in understanding of contemporary life.
Kirkus Reviews
Another stellar collection from Trevor.
New York Times - Richard Eder
He is commonly compared to Chekhov. But Mr. Trevor's pistol, introduced early, often as not does not go off. It is unloaded instead in stillness more percussive than a shot.
New York Times - William Boyd
Trevor is not the Irish Chekhov. He is, I think, sui generis, and in his 12 collections (and 13 novels, and two novellas: an exhibition of near-Updikean energy), he has created a version of the short story that almost ignores the form's hundred or so years of intricate evolution. These stories stay in the mind long after they’re finished because they’re so solid, so deliberately shaped and directed so surely toward their solemn, harsh conclusions. Perhaps there is an eighth type of short story after all: the Trevorian.
Entertainment Weekly - Jennifer Reese
In a few pages, he evokes a lifetime of hurt, rage, and shame, mingled with unbidden sympathy and understanding, an emotional cocktail so believably complex you'll want to sample it again and again. A.
Los Angeles Times - Susan Salter Reynolds
Trevor, who turns 80 next year, has written 13 novels, two novellas, 12 collections of stories, a play, two works of nonfiction and a children's book. He has dedicated his life to this art form. Perhaps that's why Cheating at Canasta has a backward-looking feel to it, gentle but firm, even in stories like "Bravado" and "The Dressmaker's Child," where the characters are not yet 20 and must learn humility the hard way.
The Times - Maggie Gee
The Irish novelist William Trevor’s 12th collection of short stories interweaves love, and the failures of love, with shame.
The Guardian - Hermione Lee
[A] fine collection by the great William Trevor.
The Independent - Patricia Craig
Trevor's ability to make compelling connections from an oblique perspective puts him among the most masterly and invigorating storytellers. If the comic element that characterised his earlier work has receded, there are other pleasures in his registering of social change: a resolute clairvoyance, an elegiac gravity.
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Someone gives you a dangerous puzzle to solve, one that may kill you or someone else, and you're about to fail... And there is no other option. No one who can help. No one but the Bricklayer.
A story that feels mythical or folkloric, that is driven by a mystery, throbs with tension, and ends in conflagration. Ruby’s Spoon combines a gritty, hypervivid realism with the dreamlike richness of a fable.
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I can't quite understand the one bad review, as this is absolutely one of the best books I've read lately...and I've read plenty of good books. The ...
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Cheating at Canasta: Stories
(members only, 1105 words).
New York Times - Richard Eder
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