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S.J. Parris
S.J. Parris writes about her inspiration for Heresy, which masterfully blends true events with fiction into a page-turning murder mystery set on the sixteenth-century Oxford University campus.
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In a letter to his readers, John Hart talks about becoming a writer and the challenges he faced in writing The Last Child.
Adam Haslett
A conversation with Adam Haslett, author of Union Atlantic, a deeply affecting portrait of the modern gilded age, the first decade of the twenty-first century.
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   Summary and Book Reviews

Then We Came to the End: Summary and book reviews of Then We Came to the End by Joshua Ferris, plus links to an excerpt from Then We Came to the End and a biography of Joshua Ferris.

Then We Came to the End Then We Came to the End
A Novel
by Joshua Ferris
Hardcover: Mar 2007,
400 pages.
Paperback: Feb 2008,
416 pages.

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Critics' Opinion:   very good
Readers' Rating:  Three Stars
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Book Summary

This wickedly funny, big-hearted novel about life in the office signals the arrival of a gloriously talented new writer.

The characters in Then We Came To The End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work."

Book Reviews

Average BookBrowse
Speaking personally (and let's face it, all reviews are nothing more nor less than one person's opinion, even when written in the third party under the banner of a renowned newspaper!) I found Then We Came To The End a difficult read (despite having spent a decade working in a large ad agency). That is not to say that it is necessarily a bad book but that the gushing reviews on the cover, and in many places in the media, telling me that this was a wildly funny book acted as something of a cold shower to my enjoyment. Knowing I was supposed to be laughing but finding myself not was like watching one of those over-eager sitcoms where the laugh track punctuates the actors' most banal lines, killing whatever residue of humor might have been found.

To describe Then We Came To The End as "wildly funny", or to suggest that it will resonate with anyone who's ever worked in an office (as some reviewers do) seems to be over-egging things, and also does a disservice to a book that has more to offer than just a good laugh, in that it serves up a, sometimes profound, insider's view of a particular time, place and culture - and not just the funny parts, but the dull and stupid bits as well, not to mention the sad and downright strange.
Full Review Members Only (members only, 851 words).


Good  Library Journal - Stephen Morrow
With so many books on office life, it's nice to see someone add fresh spark and originality to the subject.

Very Good  Kirkus Reviews
This debut novel about life in a Chicago advertising agency succeeds as both a wickedly incisive satire of office groupthink and a surprisingly moving meditation on mortality and the ties that bond...The funhouse mirror here reflects the office dynamic at its most petty and profound.

Very Good  Publishers Weekly
Starred Review. At once delightfully freakish and entirely credible, Ferris's cast makes a real impression.

Good  Newsday - Maud Newton
A novel so complex it may well deserve Jim Shepard's assessment:'the 'Catch-22' of the business world.

Good  San Francisco Chronicle
An assured debut and an entertaining read.

Very Good  Los Angeles Times - Darcy Cosper
Heartfelt and delivered in solemn deadpan. It may even be, in its own modest way, a great American novel.

Very Good  The Washington Post -James P. Othmer
[W]e conclude that categorizing Then We Came to the End as anything other than an original and inspired work of fiction would be doing it a great disservice.

Very Good  Chicago Tribune
Fabulous....with the sort of exuberance and energy that marked Jay McInerney's `Bright Lights, Big City.'

Very Good  O Magazine
Wonderfully comic. He knows, like other masters of the form, that great comedy has a hard bite.

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