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Never Let Me Go: Summary and book reviews of Never Let Me Go by Kazuo Ishiguro, plus links to an excerpt from Never Let Me Go and a biography of Kazuo Ishiguro.

Never Let Me Go

Never Let Me Go
by Kazuo Ishiguro
Hardcover: Apr 2005,
320 pages.
Paperback: Mar 2006,
304 pages.

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BOOK SUMMARY

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From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly re-imagines our world and time in a haunting story of friendship and love.

As a child, Kathy–now thirty-one years old–lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.

And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed–even comforted–by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham's nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood–and about their lives now.

A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonance–and takes its place among Kazuo Ishiguro's finest work.
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I was a little disappointed with Never Let Me Go - not because of the writing, which is as elegant as usual, but that Ishiguro raises many questions but answers few.  (Reviewed by BookBrowse Review Team).

Full Review Members Only (496 words).

Media Reviews

  Booklist - Allison Block
In this luminous offering, he nimbly navigates the landscape of emotion--the inevitable link between present and past and the fine line between compassion and cruelty, pleasure and pain.

  Library Journal - Henry L. Carrigan (starred review)
Ishiguro's elegant prose and masterly ways with characterization make for a lovely tale of memory, self-understanding, and love.

  Kirkus Reviews (starred review)
With perfect pacing and infinite subtlety, Ishiguro reveals exactly as much as we need to know about how efforts to regulate the future through genetic engineering create, control, then emotionlessly destroy very real, very human lives-without ever showing us the faces of the culpable, who have "tried to convince themselves. . . . That you were less than human, so it didn't matter." ... A masterpiece of craftsmanship that offers an unparalleled emotional experience.

  Publishers Weekly (starred review)
So exquisitely observed that even the most workaday objects and interactions are infused with a luminous, humming otherworldliness. The dystopian story it tells, meanwhile, gives it a different kind of electric charge. . . . An epic ethical horror story, told in devastatingly poignant miniature. . . . Ishiguro spins a stinging cautionary tale of science outpacing ethics.

  The Independent (UK) - Geoff Dyer
The problem for the reviewer, appropriately enough, is that by revealing more of what the book is about he risks going too far and unravelling its meticulously woven fabric of hints and guesses. So I'll leave it there. Suffice it to say that this very weird book is as intricate, subtly unsettling and moving as any Ishiguro has written.

  The Sunday Times (UK) - Peter Kemp
Not since The Remains of the Day has Ishiguro written about wasted lives with such finely gauged forlornness. That he contrives to do so in a narrative crawling with creepy frissons is remarkable. Not the least out-of-the-ordinary feature of this novel, with its piercing questions about humanity and humaneness, is the way it affectingly moves past gothic shudders to a wrenchingly desolate ending.

  The Telegraph (UK) - Caroline Moore
Never Let Me Go will probably disappoint readers for whom the solution of a mystery is all-in-all, or those who want the gratification of full-on horror. But in its evocation of a pervasive menace and despair almost but not quite lost in translation - made up of the shadows of things not said, glimpsed out of the corner of one's eye - the novel is masterly.

  The Guardian (UK) - M John Harrison
This extraordinary and, in the end, rather frighteningly clever novel isn't about cloning, or being a clone, at all. It's about why we don't explode, why we don't just wake up one day and go sobbing and crying down the street, kicking everything to pieces out of the raw, infuriating, completely personal sense of our lives never having been what they could have been.

Recent Reader Reviews

Rated 5 of 5 of 5 by Mike Pearson
Hauntingly beautiful
I read the book after watching the movie. So my understanding of the plot was already formed before I read a page. The film moved me and the book even more so. The themes are hauntingly alive to me. The idea of our own known mortality that we all...   Read More

Rated 5 of 5 of 5 by Peter V.
Brilliant, even if nonsensical
I read this book with patience, then after watching the movie I felt I had to re-read it again. It is a brilliant book,raising a lot of interesting questions. I am avoiding on purpose the link between the topic of cloning and reality, because if...   Read More

Rated 5 of 5 of 5 by Bd
Powerful
I have seen several reviewers talk about the setting and basic plot of this book. It's only relevant at all because it gives the author a compressed life period to expose what all humans feel, do, live. It's not quite a great novel. But it's...   Read More

Rated 1 of 5 of 5 by Katy Booklover
Held out hope it'd get better. It didn't.
By the end of the first chapter, I seriously considered putting this book down for good. Snoozefest! However, based on all of the reviews and accolades, I believed it would get better. Unfortunately, it did not. I felt as though I were having a...   Read More

Rated 1 of 5 of 5 by gene adair
boring
This is the most boring 'book' I have had the misfortune of trying to read... 67 pages in, I give up...I hope they all get their worst and take Mr. Ishiguro with them... Let me go ...now...

Rated 5 of 5 of 5 by Billy
Poignant
The only thing that was possibly bad about this book was that the beginning was presented in such a confusing manner that I had no clue what was going on. However, that quickly changed as the introduction was made to the endearing character of...   Read More

...9 More Reader Reviews

Kazuo Ishiguro was born in Nagasaki, Japan in 1954. He came to Britain at the age of six when his father began research at the National Institute of Oceanography. He was educated at a grammar school for boys in Surrey and then read English and Philosophy at the University of Kent, Canterbury, followed by a creative writing course at the University of East Anglia.

In 1981 he published three short stories, then in 1982 he published A Pale View of Hills.  In 1983 he was nominated by Granta magazine as one of the 20 'Best of Young British Writers'.  An Artist of the Floating World followed in 1986, it won the Whitbread Book of the Year award and was short listed for the Booker Prize for Fiction.

The Remains of the Day was published in 1989 - it won the Booker Prize for Fiction and was later made into a film starring Anthony Hopkins and Emma Thompson. His fourth novel, The Unconsoled was published in 1995 and his fifth, When We Were Orphans, in 2000.  Never Let Me Go...

Continued...  Beyond the Book (members only)

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