Jonathan Strange & Mr Norrell: Summary and book reviews of Jonathan Strange & Mr Norrell by Susanna Clarke, plus links to an excerpt from Jonathan Strange & Mr Norrell and a biography of Susanna Clarke.
Jonathan Strange & Mr Norrell
by Susanna Clarke
Hardcover: Sep 2004,
800 pages.
Paperback: Sep 2005,
800 pages.
English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.
But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.
All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.
Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.
BOOK REVIEWS
BookBrowse
What kept me reading was partly an interest in the story itself, but mainly a fascination as to whether Clarke would be able to maintain the credibility of her world through to the end - she can. However, I never quite found myself lost in the book, and always felt like I was looking in from the outside. Full Review (540 words).
Media Reviews
Publishers Weekly
A massive push by Bloomsbury has made this one of the most anticipated novels of the season. It's convenient to pigeonhole it as Harry Potter for grownups - and grown-up readers of J.K. Rowling will enjoy it - but its deep grounding in history gives it gravitas as well as readability.
Brad Hooper - Booklist
*Starred Review* It's surprising that this first novel works at all. Readers have to accept an especially fanciful premise but, as it quickly becomes obvious, acceptance presents no difficulty.
The New Yorker
This vast début fantasy novel, cast somewhat in the Harry Potter mold, is set in early-nineteenth-century England, where two men, Gilbert Norrell and his pupil Jonathan Strange, revive the once-thriving practice of the dark arts. After aiding the British against Napoleon, the magicians fall out over interpretations of wizardly philosophy. Meanwhile, a malevolent fairy accidentally set loose by Norrell enchants, among others, Strange’s wife. Clarke’s ability to construct a fully imagined world—much of it explained in long, witty footnotes—is impressive, and there are some suspenseful moments. But her attempt to graft a fantasy narrative onto such historical realities as the Battle of Waterloo is more often awkward than clever, and the period dialogue is simply twee. Worse, the tension between the forces of good and evil—crucial in any magical tale—is surprisingly slack; the arch-villain is a cartoonish fop whose petulant misdeeds lack menace.
The New York Times - Gregory Maguire
A reader more distractible than I am might yawn for 300 pages running and still discover several book-length stretches to enjoy. I never yawned. Clarke's imagination is prodigious, her pacing is masterly and she knows how to employ dry humor in the service of majesty.
The Washington Post -Michael Dirda
So Jonathan Strange & Mr. Norrell may or may not be the finest English fantasy of the past 70 years. But it is still magnificent and original, and that should be enough for any of us. Right now all we really need to do is open to chapter one and start reading, with mounting excitement Some years ago there was in the city of York a society of magicians. . . .
Neil Gaiman, author of American Gods
Susanna Clarke writes like an angel.
Charles Palliser, author of The Quincunx
Jonathan Strange & Mr. Norrell is absolutely compelling- I could not stop reading until I finished it. The author captures the period and its literary conventions with complete conviction. I was fascinated by the mixture of historical realism and utterly fantastic events I almost began to believe that there really was a tradition of 'English magic' that I had not heard about. It's an astonishing achievement. I can't think of anything that is remotely like it.
Recent Reader Reviews
Rated of 5
by S. McDougald Many footnotes I borrowed Johnathan Strange and Mr. Norrell from the library, hoping it would be a lively story of two feuding wizards. Instead, the author spends so much time explaining magic (history, theory and practice) that the characters fail to develop... Read More
Rated of 5
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