U.S. Marshal Teddy Daniels has come to Shutter Island, home of Ashecliffe Hospital for the Criminally Insane. Along with his partner, Chuck Aule, he sets out to find an escaped patient, a murderess named Rachel Solando, as a hurricane bears down upon them.
But nothing at Ashecliffe Hospital is what it seems.
And neither is Teddy Daniels.
Is he there to find a missing patient? Or has he been sent to look into rumors of Ashecliffes radical approach to psychiatry? An approach that may include drug experimentation, hideous surgical trials, and lethal countermoves in the shadow war against Soviet brainwashing. . . .
Or is there another, more personal reason why he has come there?
As the investigation deepens, the questions only mount:
The closer Teddy and Chuck get to the truth, the more elusive it becomes, and the more they begin to believe that they may never leave Shutter Island. Because someone is trying to drive them insane. . . .
Teddy Daniel's father had been a fisherman. He lost his boat to the bank in '31 when Teddy was eleven, spent the rest of his life hiring onto other boats when they had the work, unloading freight along the docks when they didn't, going long stretches when he was back at the house by ten in the morning, sitting in an armchair, staring at his hands, whispering to himself occasionally, his eyes gone wide and dark.
He'd taken Teddy out to the islands when Teddy was still a small boy, too young to be much help on the boat. All he'd been able to do was untangle the lines and tie off the hooks. He'd cut himself a few times, and the blood dotted his fingertips and smeared his palms.
They'd left in the dark, and when the sun appeared, it was a cold ivory that pushed up from the edge of the sea, and the islands appeared out of the fading dusk, huddled together, as if they'd been caught at something.
Teddy saw small, pastel-colored shacks lining the beach of one, a ...
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Southern Gothic fantasy with a contemporary flare set in Savannah
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