Please be aware that this discussion guide may contain spoilers!
This guide is intended to enrich your experience of reading Alice McDermott's Charming Billy. This powerful novel by the acclaimed author of At Weddings and Wakes presents a moving and wryly ironic portrait of Billy Lynch, a charming but enigmatic man, and his extended Irish-American family during the years between World War II and the 1990s.
The family and friends assembled at Billy's funeral remember him with fond exasperation. A self-destructive alcoholic who drank himself into a premature grave, Billy caused much grief to his friends and his gentle, devoted wife, Maeve; yet everyone loved him for his charming and affectionate nature. His friends are aware that as a young ex-GI Billy had fallen in love with and become engaged to Eva, a lovely Irish girl who returned to Ireland and died before she could come back to America to join him; therefore they see his drinking as a perverse way of being faithful to her memory. But as the narrator begins to piece together a clearer picture of the past through conversations with her father, Billy's cousin and closest friend, she comes to recognize that the story of Billy--and, by extension, of her father--is far more complex and nuanced than she had ever imagined. Charming Billy, like McDermott's other novels, brilliantly exposes the rich psychological drama within even the most seemingly ordinary lives and is full of all the intelligent sensitivity, emotion, and vivid feeling for atmosphere that readers have come to expect from this captivating author.
About This Book
Billy Lynch's family and friends have gathered at a small Bronx bar. They have come to comfort his widow and to eulogize one of the last great romantics, trading tales of his famous humor, immense charm, and unfathomable sorrow. As they linger on into this extraordinary night, their voices form Billy's tragic story and their mourning becomes a gentle homage to all the lives in their small community fractured by grief, shattered by secrets, and sustained by the simple dream of love.
If Billy's wife had been beautiful, observes the narrator, "then the story of his life, or the story they would begin to re-create for him this afternoon, would have to take another turn" (p. 3). What is the accepted story of Billy's life as presented by the mourners assembled at the funeral lunch? Which aspects of that story turn out to be false?
Rosemary says that Billy's alcoholism was "a disease" (p. 19): Dan Lynch says that "maybe for some people it's a disease . . . Maybe for some it's a sadness they can't get rid of or a disappointment that won't go away . .. They're loyal to their own feelings" (pp. 20-21). Dennis says that "an alcoholic can always find a reason but never needs one" (p. 35). When it comes to Billy, which of them is right?
When Dennis decides to tell Billy that Eva is dead, he thinks, "Better he be brokenhearted than trailed all the rest of his life by a sense of his own foolishness" (p. 31). Does Dennis come to change his mind later in life, to regret having told a lie? What other lies does Dennis tell Billy, and what illusions does he allow Billy to entertain?
Dennis says, "When Billy sets his heart on something there's no changing him. He's loyal. He's got this faith--which is probably why he drinks" (pp. 35-36). Why does Dennis link drinking with faith? What does Dennis mean when he says Billy has faith? Is this faith connected with religious faith? "Redemption" is a favorite word of Billy's (p. 187). What does it mean to him? What does the narrator mean when she contrasts Billy's type of faith with Dennis's (p. 242)?
What does the demeanor of the priest who visits Maeve and the way the assembled mourners react to him tell us about the author's attitude toward the Church and its dogmas about life and death? What are Billy's feelings toward these dogmas? What are Dennis's, and what about the narrator's?
Why does Billy love the sight of the large houses in East Hampton, and what does that say about his character and circumstances? What class attitudes are held in common by this large extended family? Kate feels she has escaped her working-class background. Has she really? In what ways has she taken on the characteristics of the upper middle class, and in what ways is she rooted in her origins?
Dennis says of Billy, "It's hard to be a liar and a believer yourself" (p. 36). What does he mean by this?
In what ways have the life experiences of Dennis's mother, Sheila, helped to form her character? What is her real opinion of both her husbands? When the narrator says that Sheila's first husband "had been, without question, Holy Father to the entire clan" (p. 97), what is she implying?
Dennis seems, on the surface, to be an easygoing and simple man. What events show him to be a far more complex and sophisticated person than he might appear? How would you describe Dennis? How does his character contrast with Billy's?
The narrator says that regarding Maeve's relationship with her elderly father, hers "was not an unusual case . . . It was, I suppose, the very image I'd fought against myself" (p. 132). But times have changed, "self-sacrifice having been recognized as a delusion by then, not a virtue. Self-consciousness more the vogue" (p. 132). In what other ways have manners and mores noticeably changed in the years between Dennis's youth and his daughter's?
Dorothy says that Billy was "maybe too sensitive for this world, if you know what I mean" (p. 168). Do you agree with her?
What does Billy's conversation with Eva at the Clonmel gas station tell the reader about Eva's character? Do you think that Billy gets the same message--in other words, does he leave Ireland with a realistic picture of who and what she is?
Why does Billy write the message "Beautiful friend" (p. 232) to Maeve after his return from Ireland? Does it mean that he has begun to love and appreciate her for herself, without the ideal of Eva to compare her with? If so, why does his drinking intensify?
Why do you think Dennis marries Maeve after Billy's death? Does this marriage come as a surprise to you?
In an interview about one of her earlier novels, Alice McDermott stated: "You don't look at the past just once, and you look at it with the knowledge of the present, which was the future. I like that going over, seeing an event through other events that have occurred since, seeing it again and seeing it in a different way, from a different perspective as time goes on" (Publishers Weekly, March 30, 1992). Is this an accurate way of describing McDermott's narrative technique in
Charming Billy? Which, in your opinion, are the key events of the novel, and from how many different angles and points of view are they described?
Reproduced with the permission of Random House Inc. Page numbers, in most reading guides, refer to paperback editions.
Unless otherwise stated, this discussion guide is reprinted with the permission of Dell.
Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.
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