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The Brief Wondrous Life of Oscar Wao Reading Guide & Discussion Questions

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The Brief Wondrous Life of Oscar Wao by Junot Diaz

The Brief Wondrous Life of Oscar Wao

A Novel

by Junot Diaz
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  • First Published:
  • Sep 6, 2007, 352 pages
  • Paperback:
  • Sep 2008, 352 pages
  • Reviewed by BookBrowse Book Reviewed by:
    Lucia Silva
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For supplemental discussion material see our Beyond the Book article, A Short History of the Dominican Republic and our BookBrowse Review of The Brief Wondrous Life of Oscar Wao.


Please be aware that this discussion guide will contain spoilers!

Introduction

Winner of the Pulitzer Prize for fiction, The Brief Wondrous Life of Oscar Wao tells the story of Oscar, a sweet but disastrously overweight ghetto nerd, a New Jersey romantic who dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the fukú—the ancient curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and ill-starred romance. Oscar, still dreaming of his first kiss, is only its most recent victim—until the fateful summer that he decides to be its last.

With dazzling energy and insight, Junot Díaz immerses us in the uproarious lives of our hero Oscar, his runaway sister Lola, and their ferocious mother Belicia, and in the family's epic journey from Santo Domingo to New York City's Washington Heights to New Jersey's Bergenline and back again. Rendered with uncommon warmth and humor, The Brief Wondrous Life of Oscar Wao presents an astonishing vision of the contemporary American experience and the endless human capacity to persevere—and to risk it all—in the name of love.

A true literary triumph, this novel confirms Junot Díaz as one of the best and most exciting writers of our time.


Discussion Questions
  1. Throughout the novel, Spanish words and phrases appear unaccompanied by their English translations. What is the effect of this seamless blending of Spanish and English? How would the novel have been different if Díaz had stopped to provide English translations at every turn? Why does Díaz not italicize the Spanish words (the way foreign words are usually italicized in English-language text)?

     
  2. The book centers on the story of Oscar and his family—and yet the majority of the book is narrated by Yunior, who is not part of the family, and only plays a relatively minor role in the events of the story. Yunior even calls himself "The Watcher," underscoring his outsider status in the story. What is the effect of having a relative outsider tell the story of Oscar and his family, rather than having someone in the family tell it? And why do you think Díaz waits for so long at the beginning of the book to reveal who the narrator is?
     
     
  3. Díaz, in the voice of the narrator, often employs footnotes to explain the history or context of a certain passage or sentence in the main text. Why do you think he chose to convey historical facts and anecdotes in footnote form? How would the novel have read differently if the content of the footnotes had been integrated into the main text? What if the footnotes (and the information in them) had been eliminated altogether? 

     
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  1. How does the author develop themes of identity and belonging throughout the narrative?
  2. What role does the setting play in shaping the characters' decisions and relationships?
  3. Discuss how the ending reframes the events of the story. Were you surprised?


Unless otherwise stated, this discussion guide is reprinted with the permission of Riverhead Books. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.

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Who Said...

Dictators ride to and fro on tigers from which they dare not dismount. And the tigers are getting hungry.

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