Reading guide for Our Lady of The Forest by David Guterson

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Our Lady of The Forest

By David Guterson

Our Lady of The Forest
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  • Hardcover: Sep 2003,
    336 pages.
    Paperback: Jul 2004,
    336 pages.

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Please be aware that this discussion guide may contain spoilers!



The purpose of the discussion topics, questions, and author biography that follow is to enhance your group’s reading of Our Lady of the Forest, a suspenseful and emotionally charged story of faith from the best-selling author of Snow Falling on Cedars.


Reader's Guide
  1. The book’s opening echoes the tone of official reportage, using "the girl" instead of naming Ann Holmes. Elsewhere in the narrative Ann is called "the visionary." Why? Does this create a sense of distance from her? Does the narrative tone of voice, as well as the narrator’s stance, shift throughout the novel? Is the tone of objectivity about the events and characters maintained?

  2. What role do sexuality and sexual desire play in this story, particularly for Tom Cross, Father Collins, and Ann? What is attractive about Ann for Father Collins (37)? Are beauty, sexual desire, violence, and victimization interrelated in this novel? If so, how?

  3. Does Guterson expect his readers to believe that Ann’s encounters with the Virgin Mary are real? Alternatively, does he place readers in the position of Father Collins, who is skeptical and yet open-minded, or of Carolyn, who is entirely analytical and cynical about the visions? Is there a character with whom readers are most likely to identify? Who is it?

  4. What kind of person is Carolyn Greer? Is she an opportunist, an intellectual, a cynic, an actor, a thief? If she is talented and intelligent, why is she living in a campground in North Fork? Is she a more interesting person than Ann?

  5. Why did Father Collins decide to become a priest? Does the priesthood solve his personal dilemmas? Does he have the necessary qualities of leadership to be a priest? A year after Ann’s death, what effect have Ann’s visions and their aftermath had on Father Collins? Has he become a better priest, or a wiser person?

  6. What does the extended passage in which Tom Cross thinks about his family life, and particularly his son, tell us about him (pp. 94—103)? Is Tom Cross responsible for the accident that paralyzed his son? With his anger, desperation, and self-loathing, how dangerous is he? Is there anything admirable or positive about him? How does he change?

  7. How does Guterson evoke the unique locale of the Pacific Northwest, with its local economy that pits loggers against "jogging-shoed, tree-hugging latte lovers" (p. 105)? In what ways does he evoke the feeling of life in a rainy, foggy place? How important is the setting to the story, in terms of the local economy, weather, and landscape?

  8. What is the connection, if any, between Ann’s visions and the fact that she has been repeatedly raped by a drug addict who was obsessed with religion (see pp.129—30)? Does the novel suggest that her devotion to the Virgin results from a need to cleanse herself of her own past and to make amends for the abortion she had (p. 131)?

  9. The narrator shares with readers the information that Ann is a victim of violent sexual abuse; this fact is not made known, however, to Father Collins or to the public and so is not a factor in the inquiry into her case. What are the effects, for the reader, of knowing Ann’s history?

  10. How relevant to her credibility is the fact that Ann wasn’t raised as a Catholic, like Bernadette of Lourdes or the children at Fátima? Do her followers care? Is this a story about Catholicism, or about a larger phenomenon in America today? What is Guterson suggesting about religious faith, or about the need for it?

  11. Father Collins and Father Butler know that Ann has used psilocybin mushrooms, and this leads them to suspect that her visions are hallucinogenic "flashbacks" (pp. 131—33, p. 169). The evidence gathered by Carolyn, however, points to side effects of the allergy medication Ann habitually used. How does Father Collins respond to Carolyn’s accusation that "Phenathol is behind this massive spectacle? This multimillion-dollar film-set church" (p. 316)? Given their conversation, what is the effect of the novel’s final scene (pp. 317—18)?

  12. Does Guterson suggest that there is a place where hysteria and faith overlap? What are readers to make of the thousands of believers who come to North Fork to follow Ann to the sight of her visions? What does Guterson suggest about the psychology of large groups and the behavior of crowds (pp. 134—46)?

  13. Why does Carolyn come back to visit North Fork for the opening of the church (p. 311)? What effect do Ann’s followers, and the eventual building of the church, have upon the area’s economy?

  14. What is the meaning of the Virgin’s dire warnings, and of the urgency of her message to Ann? How should readers interpret this aspect of Ann’s vision, as well as Ann’s fear of Satan?

  15. There are often moments of humor in Our Lady of the Forest; what kinds of incidents or descriptions are funny? What sort of humor do they exemplify?

  16. To what extent is Guterson interested in Ann’s position as a child who is essentially uncared for and homeless, a victim of her mother’s neglect? Is the novel interested in the social issues that brought Ann to North Fork? Does Ann’s obsession with the Virgin Mary reflect her need for a caring mother?

  17. The novel builds to a climactic scene in which Tom Cross confronts Ann in the church (pp. 296—305). What are the dynamics of the scene? What does Tom Cross want from Ann, and how close to violence is he? Why does Carolyn intervene as she does?


Suggested Reading
St. Augustine, Confessions; Carlos Castaneda, The Teachings of Don Juan; Norman Cohn, The Pursuit of the Millennium; Janice T. Connell, The Visions of the Children: The Apparitions of the Blessed Mother at Medjugorje; Annie Dillard, The Living; Mary Gordon, Joan of Arc; Ron Hansen, Mariette in Ecstasy; Ken Kesey, Sometimes a Great Notion; Stephen King, The Dead Zone; Jon Krakauer, Under the Banner of Heaven; Blaise Pascal, Pensées; Mark Salzman, Lying Awake; Alice Sebold, The Lovely Bones and Lucky; Colm Toibin, The Sign of the Cross; Thérèse Taylor, Bernadette of Lourdes; Marina Warner, Alone of All Her Sex: The Myth and Cult of the Virgin Mary.

Unless otherwise stated, this discussion guide is reprinted with the permission of Vintage. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.

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