Reading guide for Down To A Soundless Sea by Thomas Steinbeck

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Down To A Soundless Sea

By Thomas Steinbeck

Down To A Soundless Sea
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  • Hardcover: Oct 2002,
    224 pages.
    Paperback: Dec 2003,
    336 pages.

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Please be aware that this discussion guide may contain spoilers!

  1. Discuss the implications of "home" in Down to a Soundless Sea. The collection opens with Bill Post constructing a home for his new family; Chapel Lodge in "Blind Luck" never has a real home growing up; and Dean in "An Unbecoming Grace" makes his home by throwing its original settler over a cliff and renaming the homestead for himself. What does the concept of "home" imply specifically in these stories of the newly settled Monterey Coast?

  2. "The Wool Gatherer" ends with the line, "John kept that receipt for years to remind him of his bear and the expense incurred by magic visions." What might this reference to "expense" imply, especially in a family of storytellers like the Steinbecks, who hold the "magic visions" of fiction in such high esteem? In the end, was John Steinbeck’s pursuit of his Great Sur Bear worth the expense and trouble of tracking it that summer of 1920?

  3. Many, if not all, of the characters in Down to a Soundless Sea are self-made. What are some pressures of the West after the turn of the century that force them to practice their personal industry? What are some freedoms that the Monterey County of that era allows them?

  4. In his "Author’s Note," Steinbeck notes how difficult it can be to "attempt duplication of language used by the original participants and make it ring true for the modern car." Steinbeck does so in a number of ways: for example, the Portuguese captain seeks "a fitting dog’s body to take the axe when the cards turned sour," the Partington brothers of "The Dark Watcher" were "not known for salting the mines of accuracy." How do such phrases contribute to a tone of live storytelling? What other devices does Steinbeck use to emphasize these stories’ oral history?

  5. Many of the characters in Down to a Soundless Sea are immigrants, from Chow Yong Fat to the dually surnamed Simon Gutierez O’Brian. Discuss the struggles that faced immigrants in the Monterey Coast area of this era. What support systems did it offer them? How does the liberation they found there compare to the hardships that confronted them?

  6. Down to a Soundless Sea opens with the birth of Charles Post and closes with the death of Sue May Yee. Both events occur during great storms. Discuss this circularity. Do you see any other correlations in the way Steinbeck chooses to order the stories of this collection?

  7. What does Down to a Soundless Sea have to say about the regard for learning in the early days of the Monterey Coast? Consider characters like Doc Roberts in "An Unbecoming Grace," Sing Fat in "Sing Fat and the Imperial Duchess of Woo," and Professor Gill in "The Dark Watcher."

  8. Many of the characters of the collection appear in more than one story: the Post family, introduced in "The Night Guide," reappears in "The Dark Watcher"; the captain "smuggling Chinese ‘illegals’ " in "Blighted Cargo" references Chow Yong Fat’s experience in "The Imperial Duchess of Woo"; Chapel Lodge chances across Captain Leland after many years in "Blind Luck." How does this comment on the community of the Monterey Coast at the century’s beginning, especially in a time when travel and communication were more difficult?

  9. The antagonists of Down to a Soundless Sea have all the deliciously vile characteristics of the good villains of oral storytelling. Are there any redeeming qualities to characters such as Simon Gutierez O’Brian in "Blighted Cargo" and the Stoat in "An Unbecoming Grace"?

  10. Water is very significant in this collection set on the Monterey Coast. When is water a negative force in these stories? When is it positive? How is the sea "soundless" in all senses of the word "sound," connoting stability, measurability, noise, or something free of flaws?

  11. The intimate stories of Down to a Soundless Sea read like stories told by the fireside, stories told in person. Discuss the differences between oral storytelling and the written tale. What are some advantages of the story on the page? What is gained by stories told in person?

  12. A reader comes away from Down to a Soundless Sea feeling connected to its vibrant characters. Although the modern plight is markedly different from that of the newly settled Monterey Coast, how do you feel that your experience is similar to theirs? How are the hardships of modern life different from those of turn-of-the-century California?

Unless otherwise stated, this discussion guide is reprinted with the permission of Ballantine Books. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.

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