BookBrowse Reviews The White Mary by Kira Salak

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A page-turning adventure story set in the jungles of Papua New Guinea

As readers peruse The White Mary, they will find themselves continually wondering where Kira Salak has drawn the line between fact and fiction. Salak, a journalist who reported from war zones for many years, used her travels in Papa New Guinea (PNG) as a basis for The White Mary. In her introduction to the book, she writes, "Like Marika, I went there alone. I journeyed through its remotest jungles in a dugout canoe, or followed a native guide, hacking my way through the dim, tangled rainforest. I met indigenous people who were so isolated that they had never seen a white person before." Salak does a remarkable job of depicting those experiences throughout The White Mary. Indeed, the jungle and its people are so vividly described it's impossible to imagine they could have been written by someone who hadn't experienced them.

In an adventure story such as this, it would be easy for the heroine to become a caricature, either portrayed as fearless and unstoppable, or very weak, gradually growing into a person of strength. Salak avoids both extremes. Marika exhibits moments of strength and weakness, wisdom and stupidity. The balance she achieves creates a very human, very likeable character. Marika does grow throughout the book, but it feels like a natural result of self-discovery, with no trace of affectation.

Nicely done, too, is Salak's ability to demonstrate differing world views; not everything is portrayed from the white woman's perspective. Tobo, Marika's guide, is from a different tribe than the Walwasi, with whom the two live for awhile:

"Tobo must admit that these Walwasi people are rather foolish and unknowledgeable about the most basic of things. For example, they believe that white people have green-colored blood from all the demons in them, and that white people leave their bodies each night to cause mischief. Tobo nearly laughed when he heard this. Everyone knows that a white person's blood is red – unless he is about to die, in which case it turns white, like his skin. And white people's spirits are so lost and confused that, even when they do leave their bodies at night, they can't do any damage."

The White Mary is not without its flaws. Some of the characters are flat. Marika's US love interest in particular comes off as whiny and annoying. Most of the scenes between the two are tedious and overfull of trite psycho-babble.

The book can also be a bit too preachy. Although not an endorsement of any particular religion or deity, it has definite spiritual overtones. The philosophy it espouses seems to come verbatim from the Alcoholic's Anonymous handbook. Not that there's anything wrong with that - it's just not well integrated. It's too intrusive and heavy-handed.

Finally, Salak makes some stylistic decisions that initially come across as awkward, choosing to differentiate the PNG scenes from those occurring elsewhere by a change in tense. Events taking place in the US are relayed in the past tense, while those in PNG are related in the present. This writing technique feels stilted and unnatural when applied to the jungle scenes, particularly when relating characters' thoughts ("Marika thinks that…" "Tobo wonders if…"). Fortunately, the plot is so involving that the reader is willing to overlook the book's weaknesses.

The White Mary is a great adventure story, and is certainly a page-turner. It will not be for everyone. Marika and the missing Robert Lewis were both war correspondents, and Salak pulls no punches when describing what these reporters witnessed and experienced. People who are bothered by graphic descriptions of brutality should probably give this novel a pass. Most fans of the genre, however, will want to put this one on their list.

First Impressions
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This review was originally published in The BookBrowse Review in August 2008, and has been updated for the October 2009 edition. Click here to go to this issue.

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