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BookBrowse Reviews Bridge of Sighs: Six years after the best-selling, Pulitzer Prize–winning Empire Falls, Richard Russo returns with a novel that expands even further his widely heralded achievement

Bridge of Sighs
by Richard Russo
Paperback, Sep 2008,
688 pages.
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Richard Russo has written a massive tome about tiny events—"small, good things" or "small men with small dreams" in his typically underplayed phrasing. The world he draws moves forward by nearly inconsequential events, such as the day in kindergarten when Lou C. Lynch becomes Lucy Lynch and the name sticks for life, or the way a white girl's overly polite refusal of a black boy's request for a date—"I'll have to ask my father"—becomes an acceptance when her liberal father insists that she go, a date which lands the boy in a coma after the town bullies beat him up for crossing the color line. Bridge of Sighs is almost like a novel written inside out. Dramatic events happen in the lives of Thomaston's residents—affairs and deaths and scandals—but the novel is composed of small moments when its characters quietly step into their destinies and of the nearly...
Beyond the Book
  • Louis Menand in the New Yorker points out that Bridge of Sighs is structured like Joyce's Ulysses. Lucy Lynch is Leopold Bloom's counterpart, "canny and naïve in equal parts, a plodder and a dreamer." Sarah resembles Molly Bloom, "the clever and worldly wife" who outstrips her husband. Noonan is like Stephen Dedalus, "the angry boy who flies by the nets, going into exile and becoming an artist." Thomaston, then, is Russo's Dublin, as if he is elevating the blighted American small town as a subject worthy of highbrow literature.

  • Richard Russo grew up in Gloversville, a factory town in upstate New York whose tannery made gloves (of course) from the nineteenth century until the middle of the...
This review was originally published in November 2007, and has been updated for the September 2008 paperback release. Click here to go to this issue.
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