"Please tell me that's not going to be part of my birthday dinner this evening."
I am staring into the hissing face of a cobra. A surprisingly pink tongue slithers in and out of a cruel mouth while an Indian man whose eyes are the blue of blindness inclines his head toward my mother and explains in Hindi that cobras make very good eating.
My mother reaches out a white-gloved finger to stroke the snake's back. "What do you think, Gemma? Now that you're sixteen, will you be dining on cobra?"
The slithery thing makes me shudder. "I think not, thank you."
The old, blind Indian man smiles toothlessly and brings the cobra closer. It's enough to send me reeling back where I bump into a wooden stand filled with little statues of Indian deities. One of the statues, a woman who is all arms with a face bent on terror, falls to the ground. Kali, the destroyer. Lately, Mother has accused me of keeping her as my unofficial patron saint. Lately, Mother and I haven't been getting on very well. She claims it's because I've reached an impossible age. I state emphatically to anyone who will listen that it's all because she refuses to take me to London.
"I hear in London, you don't have to defang your meals first," I say. We're moving past the cobra man and into the throng of people crowding every inch of Bombay's frenzied marketplace. Mother doesn't answer but waves away an organ-grinder and his monkey. It's unbearably hot. Beneath my cotton dress and crinolines, sweat streaks down my body. The flies--my most ardent admirers--dart about my face. I swat at one of the little winged beasts, but it escapes and I can almost swear I hear it mocking me. My misery is reaching epidemic proportions.
Overhead, the clouds are thick and dark, giving warning that this is monsoon season, when floods of rain could fall from the sky in a matter of minutes. In the dusty bazaar the turbaned men chatter and squawk and bargain, lifting brightly colored silks toward us with brown, sunbaked hands. Everywhere there are carts lined with straw baskets offering every sort of ware and edible-thin, coppery vases; wooden boxes carved into intricate flower designs; and mangos ripening in the heat.
"How much farther to Mrs. Talbot's new house? Couldn't we please take a carriage?" I ask with what I hope is a noticeable annoyance.
"It's a nice day for a walk. And I'll thank you to keep a civil tone."
My annoyance has indeed been noted.
Sarita, our long-suffering housekeeper, offers pomegranates in her leathery hand. "Memsahib, these are very nice. Perhaps we will take them to your father, yes?"
If I were a good daughter, I'd bring some to my father, watch his blue eyes twinkle as he slices open the rich, red fruit, then eats the tiny seeds with a silver spoon just like a proper British gentleman.
"He'll only stain his white suit," I grumble. My mother starts to say something to me, thinks better of it, sighs--as usual. We used to go everywhere together, my mother and I--visiting ancient temples, exploring local customs, watching Hindu festivals, staying up late to see the streets bloom with candlelight. Now, she barely takes me on social calls. It's as if I'm a leper without a colony.
"He will stain his suit. He always does," I mumble in my defense, though no one is paying me a bit of attention except for the organ-grinder and his monkey. They're following my every step, hoping to amuse me for money. The high lace collar of my dress is soaked with perspiration. I long for the cool, lush green of England, which I've only read about in my grandmother's letters. Letters filled with gossip about tea dances and balls and who has scandalized whom half a world away, while I am stranded in boring, dusty India watching an organ-grinder's monkey do a juggling trick with dates, the same trick he's been performing for a year.
One of the most celebrated writers of our time gives us his first cycle of short fiction: five brilliantly etched, interconnected stories in which music is a vivid and essential character.
In her most accomplished novel, Barbara Kingsolver takes us on an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover. The Lacuna is a poignant story of a man pulled between two nations as they invent their...
The acclaimed author of Motherless Brooklyn and The Fortress of Solitude returns with a roar with this gorgeous, searing portrayal of Manhattanites wrapped in their own delusions, desires, and lies.
The Pulitzer Prize-winning author "an immensely gifted writer and a magical prose stylist" (Michiko Kakutani, New York Times)offers his first major work of nonfiction, an autobiographical narrative as inventive, beautiful, and powerful as his acclaimed, award-winning fiction.
Like Robin Hood, Zorro is a story that almost everyone knows, but few have read. The original book by Johnston McCulley is out of print and ...
read more
I'm 13 years old and my teacher handed me this book and told me to read and do a report on it. I looked at the cover, saw the title (which made no ...
read more
I'm 13 years old and my teacher handed me this book and told me to read and do a report on it. I looked at the cover, saw the title (which made no ...
read more
The 2009 National Book Award Winners(Nov 19 2009) The winners of the 2009 National Book Awards have been announced at the National Book Foundation's 60th National Book Awards Ceremony and Benefit...
Full Story
Google Settlement Filed(Nov 13 2009) After two delays, attorneys for the AAP, Authors Guild and Google filed an amended settlement agreement today in an effort to end litigation brought by the...
Full Story
Become a member!
BookBrowse seeks out and recommends only the most interesting and well written books and provides you with everything you need to decide which are
right for you - so you can browse the best and ignore the rest.
One Month Free Trial