From Chapter One
I am a man you can trust, is how my customers view me. Or at least, I'm guessing it is. Why else would they hand me their house keys before they leave for vacation? Why else would they depend on me to clear their attics for them, heave their air conditioners into their windows every spring, lug their excess furniture to their basements? "Mind your step, young fellow; that's Hepplewhite," Mrs. Rodney says, and then she goes into her kitchen to brew a pot of tea. I could get up to anything in that basement. I could unlock the outside door so as to slip back in overnight and rummage through all she owns--her Hepplewhite desk and her Japanese lacquer jewelry box and the six potbellied drawers of her dining-room buffet. Not that I would. But she doesn't know that. She just assumes it. She takes it for granted that I'm a good person.
Come to think of it, I am the one who doesn't take it for granted.
On the very last day of a bad old year, I was leaning against a pillar in the Baltimore railroad station, waiting to catch the 10:10 a.m. to Philadelphia. Philadelphia's where my little girl lives. Her mother married a lawyer there after we split up.
Ordinarily I'd have driven, but my car was in the shop and so I'd had to fork over the money for a train ticket. Scads of money. Not to mention being some appointed place at some appointed time, which I hate. Plus, there were a lot more people waiting than I had expected. That airy, light, clean, varnished feeling I generally got in Penn Station had been crowded out. Elderly couples with matching luggage stuffed the benches, and swarms of college kids littered the floor with their duffel bags. This gray-haired guy was walking around speaking to different strangers one by one. Well-off guy, you could tell: tan skin, nice turtleneck, soft beige car coat. He went up to a woman sitting alone and asked her a question. Then he came over to a girl in a miniskirt standing near me.
I had been thinking I wouldn't mind talking to her myself.
She had long blond hair, longer than her skirt, which made it seem she'd neglected to put on the bottom half of her outfit. The man said, "Would you by any chance be traveling to Philadelphia?"
"Well, northbound, yes," she said, in this shallow, breathless voice that came as a disappointment.
"But to Philadelphia?"
"No, New York, but I'll be--"
"Thanks anyway," he said, and he moved toward the next bench.
Now he had my full attention. "Ma'am," I heard him ask an old lady, "are you traveling to Philadelphia?" The old lady answered something too mumbly for me to catch, and instantly he turned to the woman beside her. "Philadelphia?" Notice how he was getting more and more sparing of words. When the woman told him, "Wilmington," he didn't say a thing; just plunged on down the row to one of the matched-luggage couples. I straightened up from my pillar and drifted closer, looking toward Gate E as if I had my mind on my train. The wife was telling the man about their New Year's plans. They were baby-sitting their grandchildren who lived in New York City, she said, and the husband said, "Well, not New York City proper, dear; White Plains," and the gray-haired man, almost shouting, said, "But my daughter's counting on me!" And off he raced.
Well, I was going to Philadelphia. He could have asked me. I understood why he didn't, of course. No doubt I struck him as iffy, with my three-day growth of black stubble and my ripped black leather jacket and my jeans all dust and cobwebs from Mrs. Morey's garage. But still he could have given me a chance. Instead he just flicked his eyes at me and then swerved off toward the bench at the end of the room. By now he was looking seriously undermedicated. "Please!" he said to a woman reading a book. "Tell me you're going to Philadelphia!"
Copyright© 1998 by Anne Tyler. All rights reserved.
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Southern Gothic fantasy with a contemporary flare set in Savannah
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