On the second Sunday morning in November, the day after the Breeders' Cup at Hollywood Park (which he did not get to this year, because the trek to the West Coast seemed a long one from Westchester County and he didn't have a runner, had never had a runner, how could this possibly be his fault, hadn't he spent millions breeding, training, and running horses? Wasn't it time he had a runner in the Breeders' Cup or got out of the game altogether, one or the other?), Alexander P. Maybrick arose from his marriage bed at 6:00 a.m., put on his robe and slippers, and exited the master suite he shared with his wife, Rosalind. On the way to the kitchen, he passed the library, his office that adjoined the library, the weight room, the guest bathroom, the living room, and the dining room. In every room his wife had laid a Persian carpet of exceptional quality -- his wife had an eye for quality in all things -- and it seemed like every Persian carpet in every room every morning was adorned with tiny dark, dense turds deposited there by Eileen, the Jack Russell terrier. Eileen herself was nestled up in bed with his wife, apparently sleeping, since she didn't raise even her head when Mr. Maybrick arose, but Mr. Maybrick knew she was faking. No Jack Russell sleeps though movement of any kind except as a ruse.
Mr. Maybrick had discussed this issue with Rosalind on many levels. It was not as though he didn't know what a Jack Russell was all about when Rosalind brought the dog home. A Jack Russell was about making noise, killing small animals and dragging their carcasses into the house, attacking much larger dogs, refusing to be house-trained, and in all other ways living a primitive life. Rosalind had promised to start the puppy off properly, with a kennel and a trainer and a strict routine and a book about Jack Russells, and every other thing that worked with golden retrievers and great Danes and mastiffs, and dogs in general. But Eileen wasn't a dog, she was a beast, and the trainer had been able to do only one thing with her, which was stop her from barking. And thank God for that, because if the trainer had not stopped Eileen from barking Mr. Maybrick would have had to strangle her. Rosalind, who sent her underwear to the cleaners and had the windows washed every two weeks and kept the oven spotless enough to sterilize surgical instruments, tried to take the position that the turds were small and harmless, and that the carpets could handle them, but really she just thought the dog was cute, even after Eileen learned to jump from the floor to the kitchen counters, and then walked around on them with her primevally dirty feet, click click click, right in front of Mr. Maybrick, even after Eileen began to sleep under the covers, pushing her wiry, unsoft coat right into Mr. Maybrick's nose in the middle of the night. "Do you know where this dog has been?" Mr. Maybrick would say to Rosalind, and Rosalind would reply, "I don't want to think about that."
Mr. Maybrick was a wealthy and powerful man, and in the end, that was what stopped him. He knew that, in the larger scheme of things, he had been so successful, and, in many ways, so unpleasant about it all (he was a screamer and a bully, tough on everyone), that Eileen had come into his life as a corrective. She weighed one-twentieth of what he did. He could crush her between his two fists. He could also get rid of her, either by yelling at his wife or by sending her off to the SPCA on his own, but he dared not. There was some abyss of megalomania that Eileen guarded the edge of for Mr. Maybrick, and in the mornings, when he walked to the kitchen to get his coffee, he tried to remember that.
The first thing Mr. Maybrick did after he poured his coffee was to call his horse-trainer. When the trainer answered with his usual "Hey, there!," Mr. Maybrick said, "Dick!," and then Dick said, "Oh. Al." He always said it just like that, as if he were expecting something good to happen, and Mr. Maybrick had happened instead. Mr. Maybrick ignored this and sipped his coffee while Dick punched up his response. "Can I do something for you, Al?"
Copyright Jane Smiley 2000. Published by permission of the publisher - Knopf.
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Southern Gothic fantasy with a contemporary flare set in Savannah
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