Viruses are embedded into the very fabric of all life.
- Luis P. Villarreal, "The Living and Dead Chemical Called a Virus", 2005
From my hotel window I look over the deep glacial lake to the foothills and the Alps beyond. Twilight vanishes the hills into the mountains; then all is lost to the dark.
After breakfast, I wander the cobbled village streets. The frost is out of the ground, and huge bushes of rosemary bask fragrantly in the sun. I take a trail that meanders up the steep, wild hills past flocks of sheep. High on an outcrop, I lunch on bread and cheese. Late in the afternoon along the shore, I find ancient pieces of pottery, their edges smoothed by waves and time. I hear that a virulent flu is sweeping this small town.
A few days pass and then comes a delirious night. My dreams are disturbed by the comings and goings of ferries. Passengers call into the dark, startling me awake. Each time I fall back into sleep, the lake's watery sound pulls at me. Something is wrong with my body. Nothing feels right.
In the morning I am weak and can't think. Some of my muscles don't work. Time becomes strange. I get lost; the streets go in too many directions. The days drift past in confusion. I pack my suitcase, but for some reason it's impossible to lift. It seems to be stuck to the floor. Somehow I get to the airport. Seated next to me on the transatlantic flight is a sick surgeon; he sneezes and coughs continually. My rare, much-needed vacation has not gone as planned. I'll be okay; I just want to get home.
After a flight connection in Boston, I land at my small New England airport near midnight. In the parking lot, as I bend over to dig my car out of the snow, the shovel turns into a crutch that I use to push myself upright. I don't know how I get home. Arising the next morning, I immediately faint to the floor. Ten days of fever with a pounding headache. Emergency room visits. Lab tests. I am sicker than I have ever been. Childhood pneumonia, college mononucleosis - those were nothing compared to this.
A few weeks later, resting on the couch, I spiral into a deep darkness, falling farther and farther away until I am impossibly distant. I cannot come back up; I cannot reach my body. Distant sound of an ambulance siren. Distant sound of doctors talking. My eyelids heavy as boulders. I try to open them to a slit, just for a few seconds, but they close against my will. All I can do is breathe.
The doctors will know how to fix me. They will stop this. I keep breathing. What if my breath stops? I need to sleep, but I am afraid to sleep. I try to watch over myself; if I go to sleep, I might never wake up again.
1. Field Violets
at my feet
when did you get here?
- Kobayashi Issa (1763 - 1828)
In early spring, a friend went for a walk in the woods and, glancing down at the path, saw a snail. Picking it up, she held it gingerly in the palm of her hand and carried it back toward the studio where I was convalescing. She noticed some field violets on the edge of the lawn. Finding a trowel, she dug a few up, then planted them in a terra-cotta pot and placed the snail beneath their leaves. She brought the pot into the studio and put it by my bedside.
"I found a snail in the woods. I brought it back and it's right here beneath the violets."
"You did? Why did you bring it in?"
"I don't know. I thought you might enjoy it."
"Is it alive?"
She picked up the brown acorn-sized shell and looked at it. "I think it is."
Why, I wondered, would I enjoy a snail? What on earth would I do with it? I couldn't get out of bed to return it to the woods. It was not of much interest, and if it was alive, the responsibility - especially for a snail, something so uncalled for - was overwhelming.
Excerpted from The Sound of a Wild Snail Eating by Elisabeth Tova Bailey. Copyright © 2010 by Elisabeth Tova Bailey. Excerpted by permission of Workman. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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