Hoffner placed the card in his coat pocket. "Well then, you hear anything else, you let me know. Just between the two of usHerr Oberwachtmeister."
The man's eyes flashed momentarily. "Absolutely, Herr Kriminal- Oberkommissar." And with a sudden Teutonic precision, Bauer returned to the gate, pulled up the barrier, and motioned Hoffner through. Not wanting to spoil the man's performance, Hoffner took the car in without the slightest idea where he was going.
As it turned out, every road seemed to lead to the Grosse Halle. Hoffner followed the signs past a series of bungalows and out into an open area where a stone wall with turrets rose in the distance.
At its side, a dragon's head peeked out from behind a bush. For anyone who had stepped inside a movie palace in the last two years, this would have been exhilarating: images meant to be seen only in flickering light now made real, if perhaps less epic. Hoffner's son Georgi had explained it all to him, angles and lenses and lighting, but what was the point in knowing when it reduced it to this? Even so, Hoffner barely noticed them as he turned down a narrow lane, past a row of flat, soulless buildings and up toward the Great Studio.
Excerpted from Shadow and Light by Jonathan Rabb. Copyright © 2009 by Jonathan Rabb. Excerpted by permission of Farrar, Straus and Giroux. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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The Angel of Losses
"Family saga, mystery, and myth intersect in Feldman's debut novel." - Booklist
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