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I should say that IP law is divided broadly into industrial, which covers trademarks and patents, and probably software fits in this class too, and copyright, which covers all the arts of humanity—music, writing, films, images of all kinds, Mickey Mouse, etc., and I will record here the instinctive punch of the special key on my machine that adds the sacred © to the little rodent's name, and which I have just gone back and removed, because this is a new me writing this whatever it is. My firm, Geller Linz Grossbart & Mishkin, is a copyright house, and although each of the partners handles the full spectrum of copyright work, you could make a case that each of us has a different specialty. Marty Linz does TV and movies, Shelly Grossbart does music, Ed Geller is, as I said, our litigation chief. And I handle the literary business, which means I spend a good deal of time with writers, enough to realize that I am not and will never be one of their number. Quite a few of my clients have told me, often with a patronizing tone, that within every lawyer is a strangled poet, attributing the quotation to a variety of different authors.

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