From beneath the frame he can just make out the contours of the room, its walls and baseboards veined by inviting little cracks. There is a wooden object in the middle of the room, and beside it, floating above the floor, is a piece of meat, the top of which is obscured by the top of the frame.
Kockroach crawls quickly out from under the wooden frame, stops, crawls quickly again, dashes beneath the meat, heads for a lovely little crack he espied from afar. He dives into it and bangs his head on the wall.
He had forgotten for a moment what had happened to him. Slowly he brings his face down to the crack that seems now so small. In the recess he sees two antennae floating gracefully back and forth. He reaches to the crack, tries to place his claw in the crevice to touch his fellow arthropod. His digits splay, the claw screams in pain. He articulates the digits, five of them, one by one before his face. What a grotesquely useless configuration. He reaches out one digit and guides it to the crack. Only the slightest bit of soft flesh slips in.
Suddenly, he is overwhelmed by a thousand different sensations that seem strangely more real than his bizarre altered presence in that room. The patter of hundreds of feet, the crush of bodies, the blissful stink of the colony. The feel of his antennae rubbing against the antennae of another, pheromones bringing everything to a fever pitch, being mounted from behind, his hooks grabbing hold. The taste of sugar, starch, the desperate run across a patch of open light. He is slipping back through his life. The shedding of old chitin, the taste of it afterward, the delicious feel of his mother's chest upon his back when he was still the smallest nymph. He slides his digit back and forth along the crack in the wall and falls into a pool of remembrance and emotion, both stunning and unexpected.
But sentimental nostalgia is not a cockroach trait, neither is regret, nor deep unsatisfied longing. He had never felt such sensations before and he fights against their unfathomable power with all his strength. Insectile resolve battles mammalian sentimentality for supremacy over this new body until, with a great shout, Kockroach triumphantly climbs out of the strange emotional swirl and falls back into himself.
He won't let this strange molt ruin him. He will stay true to the purity of the instincts that have guided him safely through the earlier stages of his life. Whatever has happened, whatever will happen in the future, he will forever remain a cockroach.
He traces his digit up the wall, as if the tip itself is an arthropod making its way to the safety of the ceiling. Halfway to the top his claw alights on a dull white plate with a black switch. Cockroaches instinctively try every crevice, search every nook, climb every tilting pile of dishes. It is in their nature to explore. He flicks the switch.
Light floods the room. Panic. He would flee, but to where? He follows his second instinct to hide against a wall and freeze. He spins and presses himself into the corner and moves not a muscle.
He listens for the sound of a predator and hears nothing.
He presses his head so hard into the corner the vertex of his face throbs.
With a start, he realizes he is standing and the ache he had been feeling in his legs, the pain in his back, are all slowly receding. This is a body that works best vertically. He will adapt, he is a cockroach.
Balancing precariously on two pale slabs of flesh at the bottom of his lower legs, he takes tiny steps as he turns around, his upper legs moving contrapuntally with his lower legs out of long-ingrained habit. And as he turns he examines the now-lit space in which he finds himself. It is in actuality a small pathetic hotel room, green walls that can barely contain a bed and a bureau and a tiny desk, a single window through which the hissing red neon of the hotel's sign can be spied; it is a sad cramped piece of real estate but to Kockroach it is a palace. And in the center, hanging from the source of light, is the piece of meat.
The foregoing is excerpted from Kockroach by Tyler Knox. All rights reserved. No part of this book may be used or reproduced without written permission from HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022
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