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Excerpt of The Mermaid Chair by Sue Monk Kidd
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I did occasionally, though, play out imaginary sessions with Dr. Ilg in my head. I would tell her about my father, and, grunting, she would write it down on a little pad—which is all she ever seemed to do. I pictured her bird as a dazzling white cockatoo perched on the back of her chair, belting out all sorts of flagrant opinions, repeating itself like a Greek chorus: "You blame yourself, you blame yourself, you blame yourself."

Not long ago—I don’t know what possessed me to do it—I’d told Hugh about these make-believe sessions with Dr. Ilg, even about the bird, and he’d smiled. "Maybe you should just see the bird," he said. "Your Dr. Ilg sounds like an idiot."

Now, across the room, Hugh was listening to the person on the phone, muttering, "Uh-huh, uh-huh." His face had clamped down into what Dee called "the Big Frown," that pinched expression of grave and intense listening in which you could almost see the various pistons in his brain—Freud, Jung, Adler, Horney, Winnicott—bobbing up and down.

Wind lapped over the roof, and I heard the house begin to sing—as it routinely did—with an operatic voice that was very Beverly "Shrill," as we liked to say. There were also doors that refused to close, ancient toilets that would suddenly decline to flush ("The toilets have gone anal-retentive again!" Dee would shout), and I had to keep constant vigilance to prevent Hugh from exterminating the flying squirrels that lived in the fireplace in his study. If we ever got a divorce, he loved to joke, it would be about squirrels. 

But I loved all of this; I truly did. It was only the basement floods and the winter drafts that I hated. And now, with Dee in her first year at Vanderbilt, the emptiness—I hated that.

Hugh was hunched on his side of the bed, his elbows balanced on his knees and the top two knobs of his spine visible through his pajamas. He said, "You realize this is a serious situation, don’t you? She needs to see someone—I mean, an actual psychiatrist."

I felt sure then it was a resident at the hospital, though it did seem Hugh was talking down to him, and that was not like Hugh.

Through the window the neighborhood looked drowned, as if the houses—some as big as arks—might lift off their foundations and float down the street. I hated the thought of slogging out into this mess, but of course I would. I would drive to Sacred Heart of Mary over on Peachtree and get my forehead swiped with ashes. When Dee was small, she’d mistakenly called the church the " Scared Heart of Mary." The two of us still referred to it that way sometimes, and it occurred to me now how apt the name really was. I mean, if Mary was still around, like so many people thought, including my insatiably Catholic mother, maybe her heart was scared. Maybe it was because she was on such a high and impossible pedestal—Consummate Mother, Good Wife, All-Around Paragon of Perfect Womanhood. She was probably up there peering over the side, wishing for a ladder, a parachute, something to get her down from there.

I hadn’t missed going to church on Ash Wednesday since my father had died—not once. Not even when Dee was a baby and I had to take her with me, stuffing her into a thick papoose of blankets, armored with pacifiers and bottles of pumped breast milk. I wondered why I’d kept subjecting myself to it—year after year at the Scared Heart of Mary. The priest with his dreary incantation: "Remember you are dust, to dust you shall return." The blotch of ash on my forehead.

I only knew I had carried my father this way my whole life.

Hugh was standing now. He said, "Do you want me to tell her?" He looked at me, and I felt the gathering of dread. I imagined a bright wave of water coming down the street, rounding the corner where old Mrs. Vandiver had erected a gazebo too close to her driveway; the wave, not mountainous like a tsunami but a shimmering hillside sweeping toward me, carrying off the ridiculous gazebo, mailboxes, doghouses, utility poles, azalea bushes. A clean, ruinous sweep.

From The Mermaid Chair by Sue Monk Kidd.  Copyright Sue Monk Kidd.  All rights reserved. No part of this book maybe reproduced without written permission from the publisher.