While I was in trouble for not bringing my candy sooner, my sisters were in more trouble for not bringing theirs at all. We spent the early part of the evening in our rooms, then one by one we eased our way back upstairs, and joined our parents in front of the TV. I was the last to arrive, and took a seat on the floor beside the sofa. The show was a Western, and even if my head had not been throbbing, I doubt I would have had the wherewithal to follow it. A posse of outlaws crested a rocky hilltop, squinting at a flurry of dust advancing from the horizon, and I thought again of the Tomkeys and of how alone and out of place they had looked in their dopey costumes. "What was up with that kids tail?" I asked.
"Shhhh," my family said.
For months I had protected and watched over these people, but now, with one stupid act, they had turned my pity into something hard and ugly. The shift wasnt gradual, but immediate, and it provoked an uncomfortable feeling of loss. We hadnt been friends, the Tomkeys and I, but still I had given them the gift of my curiosity. Wondering about the Tomkey family had made me feel generous, but now I would have to shift gears and find pleasure in hating them. The only alternative was to do as my mother had instructed and take a good look at myself. This was an old trick, designed to turn ones hatred inward, and while I was determined not to fall for it, it was hard to shake the mental picture snapped by her suggestion: here is a boy sitting on a bed, his mouth smeared with chocolate. Hes a human being, but also hes a pig, surrounded by trash and gorging himself so that others may be denied. Were this the only image in the world, youd be forced to give it your full attention, but fortunately there were others. This stagecoach, for instance, coming round the bend with a cargo of gold. This shiny new Mustang convertible. This teenage girl, her hair a beautiful mane, sipping Pepsi through a straw, one picture after another, on and on until the news, and whatever came on after the news.
Copyright © 2004 by David Sedaris
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Southern Gothic fantasy with a contemporary flare set in Savannah
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