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Excerpt from A Great and Terrible Beauty by Libba Bray, plus links to reviews, author biography & more

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A Great and Terrible Beauty

by Libba Bray

A Great and Terrible Beauty by Libba Bray X
A Great and Terrible Beauty by Libba Bray
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  • First Published:
    Dec 2003, 416 pages

    Paperback:
    Mar 2005, 432 pages

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"Look at the monkey, memsahib. How adorable he is!" Sarita says this as if I were still three and clinging to the bottoms of her sari skirts. No one seems to understand that I am fully sixteen and want, no, need to be in London, where I can be close to the museums and the balls and men who are older than six and younger than sixty.

"Sarita, that monkey is a trained thief who will be begging for your wages in a moment," I say with a sigh. As if on cue, the furry urchin scrambles up and sits on my shoulder with his palm outstretched. "How would you like to end up in a birthday stew?" I tell him through clenched teeth. The monkey hisses. Mother grimaces at my ill manners and drops a coin in its owner's cup. The monkey grins triumphantly and leaps across my head before running away.

A vendor holds out a carved mask with snarling teeth and elephant ears. Without a word, Mother places it over her face. "Find me if you can," she says. It's a game she's played with me since I could walk - a bit of hide-and-seek meant to make me smile. A child's game.

"I see only my mother," I say, bored. "Same teeth. Same ears."

Mother gives the mask back to the vendor. I've hit her vanity, her weak point.

"And I see that turning sixteen is not very becoming to my daughter," she says.

"Yes, I am sixteen. Sixteen. An age at which most decent girls have been sent for schooling in London." I give the word decent an extra push, hoping to appeal to some maternal sense of shame and propriety.

"This looks a bit on the green side, I think." She's peering intently at a mango. Her fruit inspection is all-consuming.

"No one tried to keep Tom imprisoned in Bombay," I say, invoking my brother's name as a last resort. "He's had four whole years there! And now he's starting at university."

"It's different for men."

"It's not fair. I'll never have a season. I'll end up a spinster with hundreds of cats who all drink milk from china bowls." I'm whining. It's unattractive, but I find I'm powerless to stop.

"I see," Mother says, finally. "Would you like to be paraded around the ballrooms of London society like some prize horse there to have its breeding capabilities evaluated? Would you still think London was so charming when you were the subject of cruel gossip for the slightest infraction of the rules? London's not as idyllic as your grandmother's letters make it out to be."

"I wouldn't know. I've never seen it."

"Gemma . . ." Mother's tone is all warning even as her smile is constant for the Indians. Mustn't let them think we British ladies are so petty as to indulge in arguments on the streets. We only discuss the weather, and when the weather is bad, we pretend not to notice.

Sarita chuckles nervously. "How is it that memsahib is now a young lady? It seems only yesterday you were in the nursery. Oh, look, dates! Your favorite." She breaks into a gap-toothed smile that makes every deeply etched wrinkle in her face come alive. It's hot and I suddenly want to scream, to run away from everything and everyone I've ever known.

"Those dates are probably rotting on the inside. Just like India."

"Gemma, that will be quite enough." Mother fixes me with her glass-green eyes. Penetrating and wise, people call them. I have the same large, upturned green eyes. The Indians say they are unsettling, disturbing. Like being watched by a ghost. Sarita smiles down at her feet, keeps her hands busy adjusting her brown sari. I feel a tinge of guilt for saying such a nasty thing about her home. Our home, though I don't really feel at home anywhere these days.

"Memsahib, you do not want to go to London. It is gray and cold and there is no ghee for bread. You wouldn't like it."

A train screams into the depot down near the glittering bay. Bombay. Good bay, it means, though I can't think of anything good about it right now. A dark plume of smoke from the train stretches up, touching the heavy clouds. Mother watches it rise.

Excerpted from A Great and Terrible Beauty by Libba Bray Copyright© 2004 by Libba Bray. Excerpted by permission of Delacorte Books for Young Readers, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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