He turned, realizing the gun was empty, and hit a little lever to drop the one mag. Neatly he fitted another one in, felt it snap in place. Then he looked up.
This was not working out.
There before him, with a stunned look on his face and a copy of Gal Leg in his hand, a uniformed New York City policeman stood in stupefaction equal to Frankie's. The two armed men faced each other.
"NO!" Frankie screamed, imploring the cop to cooperate as he knew clipping cops led to career difficulties, but the cop refused to cooperate, and his hand went inside his double-breasted coat and tugged the cop Colt out, and Frankie watched, as it seemed to be taking forever. He should have smacked him hard in the head with the gun barrel, but he didn't think fast enough, and about an hour later the cop got the revolver unlimbered, actually paused to cock the hammer with his thumb, and raised it onto Frankie, who again screamed "NO!" except that the word was lost in the thunder of the gun. It fired so fast, it slithered and twitched like a snake in his hands, desperate to escape.
The cop fell sideways and back, the revolver clattering to the ground. He too immediately began to issue copious amounts of liquid from new openings.
This was the one that unlocked the frozen customers. Now, frantically, they broke for the door, fighting each other to escape the madman's bullets. Someone broke the black painted window and rolled out, admitting a sudden piercing blaze of fresh light, which in turn caught the smoke and dust heaving in the air, glinted off of tits and coochies. The panic was contagious, for now it struck Frankie, and he too lost control and ran, as if fleeing a mad gunman, utterly forgetting the fact that he was the mad gunman.
Again, it took a while. But eventually, the passage cleared and Frankie stepped out.
He saw two things immediately.
The first is that there was no Lenny and no car and the second was that there was a horse.
It wasn't a cowboy horse at all, though for just a second that's what he thought, because cowboys were all over the place on the television now. It was a police horse, and on its back was a policeman and it cantered through traffic down Broadway, right at him, amid a screech of horns, and the screams of people who dived this way and that.
Fug, thought Frankie.
The officer on horseback had possibly himself seen a lot of television, for he had his gun drawn and he leaned over the neck of the plunging horse and began to fire at Frankie. Of course on the television or in the movies, somebody always falls, usually shot in the arm or shoulder, when this one is pulled off, but in real life nothing at all happened as the bullets went wild, though Frankie had an impression in his peripheral vision of a window breaking.
Onward, onward rode the horseman, though nobody knew the reason why. Possibly it was stupidity, possibly heroic will, possibly an accident, he just rode right at Frankie through the traffic, cut between cars to the sidewalk and cantered on as if to crush Frankie to the pavement.
Frankie watched in horror, seeing the wide red eyes of the animal, filled with fear, the lather of foamy sweat, hearing the clatter of the iron-shod hooves against the pavement, and the heavy, labored breathing of the animal which was, he now saw, immense compared to him, and just about to squish him like a bug.
He never made the decision because there wasn't a decision to be made, but Frankie found himself the sole proprietor of a rather angry Danish machine gun, which in about two seconds flat emptied itself into the raging animal. He himself heard nothing, for shooters in battle conditions rarely do. He felt the gun, however, shivering as it devoured its magazine, and sensed the spray of spent cartridges as they were spat from the breech this way and that, hot like pieces of fresh popcorn.
Copyright © 2003 by Stephan Hunter. All rights reserved. No part of this book maybe reproduced without written permission from the publisher.
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The Angel of Losses
"Family saga, mystery, and myth intersect in Feldman's debut novel." - Booklist
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