Excerpt of The Namesake by Jhumpa Lahiri
(Page 7 of 10)
Printer Friendly Excerpt
He carried a single volume for the journey, a hardbound collection of short stories by Nikolai Gogol, which his grandfather had given him when he’d graduated from class twelve. On the title page, beneath his grandfather’s signature, Ashoke had written his own. Because of Ashoke’s passion for this particular book, the spine had recently split, threatening to divide the pages into two sections. His favorite story in the book was the last, "The Overcoat," and that was the one Ashoke had begun to reread as the train pulled out of Howrah Station late in the evening with a prolonged and deafening shriek, away from his parents and his six younger brothers and sisters, all of whom had come to see him off and had huddled until the last moment by the window, waving to him from the long dusky platform. He had read "The Overcoat" too many times to count, certain sentences and phrases embedded in his memory. Each time he was captivated by the absurd, tragic, yet oddly inspiring story of Akaky Akakyevich, the impoverished main character who spends his life meekly copying documents written by others and suffering the ridicule of absolutely everyone. His heart went out to poor Akaky, a humble clerk just as Ashoke’s father had been at the start of his career. Each time, reading the account of Akaky’s christening, and the series of queer names his mother had rejected, Ashoke laughed aloud. He shuddered at the description of the tailor Petrovich’s big toe, "with its deformed nail as thick and hard as the shell of a tortoise." His mouth watered at the cold veal and cream pastries and champagne Akaky consumed the night his precious coat was stolen, in spite of the fact that Ashoke had never tasted these things himself. Ashoke was always devastated when Akaky was robbed in "a square that looked to him like a dreadful desert," leaving him cold and vulnerable, and Akaky’s death, some pages later, never failed to bring tears to his eyes. In some ways the story made less sense each time he read it, the scenes he pictured so vividly, and absorbed so fully, growing more elusive and profound. Just as Akaky’s ghost haunted the final pages, so did it haunt a place deep in Ashoke’s soul, shedding light on all that was irrational, all that was inevitable about the world.
Outside the view turned quickly black, the scattered lights of Howrah giving way to nothing at all. He had a second-class sleeper in the seventh bogie, behind the air-conditioned coach. Because of the season, the train was especially crowded, especially raucous, filled with families on holiday. Small children were wearing their best clothing, the girls with brightly colored ribbons in their hair. Though he had had his dinner before leaving for the station, a four-layer tiffin carrier packed by his mother sat at his feet, in the event that hunger should attack him in the night. He shared his compartment with three others. There was a middle-aged Bihari couple who, he gathered from overhearing their conversation, had just married off their eldest daughter, and a friendly, potbellied, middle-aged Bengali businessman wearing a suit and tie, by the name of Ghosh. Ghosh told Ashoke that he had recently returned to India after spending two years in England on a job voucher, but that he had come back home because his wife was inconsolably miserable abroad. Ghosh spoke reverently of England. The sparkling, empty streets, the polished black cars, the rows of gleaming white houses, he said, were like a dream. Trains departed and arrived according to schedule, Ghosh said. No one spat on the sidewalks. It was in a British hospital that his son had been born.
"Seen much of this world?" Ghosh asked Ashoke, untying his shoes and settling himself cross-legged on the berth. He pulled a packet of Dunhill cigarettes from his jacket pocket, offering them around the compartment before lighting one for himself.
"Once to Delhi," Ashoke replied. "And lately once a year to Jamshedpur."
Copyright © 2003 by Jhumpa Lahiri. Reprinted by permission of Houghton Mifflin Company.
