In another fifteen minutes they had arrived there. Rudyard was a small town like many others in the Middle West, its core a few dark buildings, still smudged with coal soot, and several tin hangars with corrugated plastic roofs that housed various farm services. At the outskirts, a kind of mini-suburbanization was under way, with strip malls and tract homes, the result of the economic security afforded by an unusual anchor industry -- the prison.
When they turned a corner on a movie-set neighborhood of maple trees and small frame houses, the facility suddenly loomed at the end of the block, like a horror-flick monster jumping out of a closet, a half-mile continuum of randomly connected yellow-brick buildings, notable for the narrowness of the few windows. Those structures in turn surrounded an old stone edifice stout enough to have survived from the Middle Ages. Toward the perimeter lay not only a ten-foot brick wall, but a graveled moat of projecting stainless steel spikes, and beyond that a boundary of cyclone fencing supporting five-foot spirals of razor wire, brilliant in the sun.
In the prison guardhouse, they signed in, then were directed to a worn bench for the long wait while Rommy was brought down. In the interval, Arthur reviewed Rommy's letter, which had arrived via various intermediate hands at the Court of Appeals. It was composed in a hodgepodge scrawl, with multicolored markings and other features too irregular even to be called childish. Just looking at the letter, you knew that Rommy Gandolph was both desperate and crazy.
Copyright © 2002 Scott Turow
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Southern Gothic fantasy with a contemporary flare set in Savannah
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