Excerpt from The Lovely Bones by Alice Sebold, plus links to reviews, author biography & more

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The Lovely Bones

By Alice Sebold

The Lovely Bones
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  • Hardcover: Jun 2002,
    288 pages.
    Paperback: Apr 2004,
    352 pages.

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"Spunk!" my father would say. "Let me tell you about spunk," and he would launch immediately into his Susie-peed-on-Lindsey story.

But as it turned out, my father had not mentioned us to Mr. Harvey or told him the Susie-peed-on-Lindsey story.

Mr. Harvey would later say these words to my mother when he ran into her on the street: "I heard about the horrible, horrible tragedy. What was your daughter's name, again?"

"Susie," my mother said, bracing up under the weight of it, a weight that she naively hoped might lighten someday, not knowing that it would only go on to hurt in new and varied ways for the rest of her life.

Mr. Harvey told her the usual: "I hope they get the bastard. I'm sorry for your loss."

I was in my heaven by that time, fitting my limbs together, and couldn't believe his audacity. "The man has no shame," I said to Franny, my intake counselor. "Exactly," she said, and made her point as simply as that. There wasn't a lot of bullshit in my heaven.

Mr. Harvey said it would only take a minute, so I followed him a little farther into the cornfield, where fewer stalks were broken off because no one used it as a shortcut to the junior high. My mom had told my baby brother, Buckley, that the corn in the field was inedible when he asked why no one from the neighborhood ate it. "The corn is for horses, not humans," she said. "Not dogs?" Buckley asked. "No," my mother answered. "Not dinosaurs?" Buckley asked. And it went like that.

"I've made a little hiding place," said Mr. Harvey.

He stopped and turned to me.

"I don't see anything," I said. I was aware that Mr. Harvey was looking at me strangely. I'd had older men look at me that way since I'd lost my baby fat, but they usually didn't lose their marbles over me when I was wearing my royal blue parka and yellow elephant bell-bottoms. His glasses were small and round with gold frames, and his eyes looked out over them and at me.

"You should be more observant, Susie," he said.

I felt like observing my way out of there, but I didn't. Why didn't I? Franny said these questions were fruitless: "You didn't and that's that. Don't mull it over. It does no good. You're dead and you have to accept it."

"Try again," Mr. Harvey said, and he squatted down and knocked against the ground.

"What's that?" I asked.

My ears were freezing. I wouldn't wear the multicolored cap with the pompom and jingle bells that my mother had made me one Christmas. I had shoved it in the pocket of my parka instead.

I remember that I went over and stomped on the ground near him. It felt harder even than frozen earth, which was pretty hard.

"It's wood," Mr. Harvey said. "It keeps the entrance from collapsing. Other than that it's all made out of earth."

"What is it?" I asked. I was no longer cold or weirded out by the look he had given me. I was like I was in science class: I was curious.

"Come and see."

It was awkward to get into, that much he admitted once we were both inside the hole. But I was so amazed by how he had made a chimney that would draw smoke out if he ever chose to build a fire that the awkwardness of getting in and out of the hole wasn't even on my mind. You could add to that that escape wasn't a concept I had any real experience with. The worst I'd had to escape was Artie, a strange-looking kid at school whose father was a mortician. He liked to pretend he was carrying a needle full of embalming fluid around with him. On his notebooks he would draw needles spilling dark drips.

"This is neato!" I said to Mr. Harvey. He could have been the hunchback of Notre Dame, whom we had read about in French class. I didn't care. I completely reverted. I was my brother Buckley on our day-trip to the Museum of Natural History in New York, where he'd fallen in love with the huge skeletons on display. I hadn't used the word neato in public since elementary school.

Copyright © 2002 by Alice Sebold

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