Below are ten of our favorite author interviews from 2012 - a collection of video Q&As, transcribed interviews, and compelling conversations that go deeper than just asking the authors about their writing schedules or what advice they'd give to budding writers. These interviews look at issues and events from around the globe and provide readers with plenty of food for thought.
I hope you enjoy them!
Davina, BookBrowse Editor
Sometimes, I think, we are under the magical assumption that a writer has an idea, writes a story, then an editor at a publishing house acquires it, and it is published. Four clean, clear steps in a straight forward-moving line.
Sigh. Maybe I should revise that we to an I.
We might not see each other very often during the year but my friend Barbara and I always make it a point to go in to the Boston Book Festival together. Our kids are in the same grade in high school and Barbara and I share a love of books so the train ride in and back is a chance for us to reconnect, complain about the kids, and talk books. This year, Hurricane Sandy was a blot on the horizon but the day of the festival was a crisp fall day in Boston.
Writing a novel about Hildegard von Bingen, the 12th century visionary abbess and polymath, was a daunting process. I felt intimidated to be writing about such a religious figure. The last thing I wanted to do was churn out preachy inspirational fiction which would be both unconvincing and hypocritical coming from me, a lapsed Catholic who falls under the "spiritual but not religious" umbrella. How could I make Hildegard's story seem fresh and relevant to a modern secular audience?
I fell in love with vampires in the 1980's when I read Interview with a Vampire by Anne Rice. The language, the romanticism, the concept of an entire vampire society who lived for centuries and were cursed with having to kill to live was enthralling. The sexiness of Rice's vampires also made them irresistible. What red-blooded American fan of paranormal romance doesn't fantasize about being ravished by Lestat?
I began reviewing for BookBrowse at almost the exact moment that I began writing my book, The Mark Inside. There's no question that growing my own book affected how I read others' finished ones. I found myself immediately, instantly, irrevocably generous. I don't mean that I liked everything I read. Far from it. I mean that I found myself unwilling to dismiss anything without at least trying to understand why the author had designed it that way. In other words, everything suddenly seemed deeply intentional and well-meant, if not always well-executed.