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Author Biography | Interview | Books by this Author | Read-Alikes
Katherine Min's short stories appeared in Ploughshares, TriQuarterly, Prairie Schooner, The Three-penny Review, Glimmer Train, and others; she received an NEA grant, a Pushcart Prize, a Sherwood Anderson Foundation Fiction Award, two New Hampshire State Council on the Arts Fellowships and a North Carolina Arts Council Artist Fellowship, and attended residencies at MacDowell, Yaddo, Jentel, Ucross, Hambidge, the Millay Colony, and Ledig House. Her debut novel Secondhand World was a runner-up for the PEN-Bingham Award in 2007. The Fetishist is her first posthumous publication.
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Congratulations on your first book. When did you first realize that you wanted to be a writer?
I was, I’m afraid, an incorrigible liar when I was a child. The truth just didn’t hold appeal for me. And the lies I told were literally unbelievable, like that I was really Swedish but had had some sort of operation to disguise myself. From such ignoble beginnings, one has no choice but to become a fiction writer—or a felon, I suppose. I started writing stories when I was around six, and by the time I was twelve, when other girls dreamed of their wedding day or prom night, I dreamed of publishing a Borzoi book with Knopf. So, I’m living proof that some dreams do come true.
Which authors are your biggest influences?
Two books that made deep impressions on me as a young writer were It Happened in Boston? by Russell H. Greenan, and Ghosts by Ursula Perrin. On my writing desk: The Great Gatsby, To the Lighthouse, Madame Bovary, Lolita, The Dubliners, Revolutionary Road. Contemporary authors I am consistently amazed by: Marilynne Robinson, Alice Munro, Jeffrey Eugenides, J.M. Coetzee, Elizabeth Strout, James Salter, Chang-rae Lee, Graham Swift.
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