Jasper Fforde
Three separate interviews in which Jasper Fforde discusses the Thursday Next series, his Nursery Crime novels and Shades of Grey, the first in a trilogy set in a future world recognizable as our own - but only just.
Abraham Verghese
An interview with Abraham Verghese about his life and writing and in particular about his extraordinary 2009 novel Cutting for Stone, set in 1960s and '70s Ethiopia and 1980s New York.
Martha A Sandweiss
An interview with Martha Sandweiss in which she discusses her book Passing Strange, a biography of Clarence King who lived a double lifeas the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter named James Todd, married to Ada with whom he had five children.
Amy Greene
Amy Greene talks about her first novel, Bloodroot, which brings her native Appalachiaand the faith and fury of its peopleto rich and vivid life.
Book Summary
"My mother," Joy Shapiro Krushelevansky writes in her diary late one night, "is the most embarrassing person to have ever been born." It's been almost thirteen years since we've last seen Cannie Shapiro, the heroine of Good in Bed, whose journey toward happily-ever-after, and peace with her fractured family and plus-size body, made millions of women the world over laugh, cry, and see themselves on the page.
The last decade of Cannie's life has brought some surprises. Her life story, in fictional form, became an unexpected best-seller, and Cannie has since chosen to retreat from fame's fallout, writing science fiction under a pen name. Her daughter, Joy, has descended into the throes of moody adolescence, just in time for her bat mitzvah. Her best friend, Samantha, is looking for love in all the wrong places (specifically, an online dating site called AJew4U.com). Her husband, Peter, has decided that he'd like to have a baby, and the family's first choice for a surrogate is none other than Cannie's flamboyant kid sister.
Just when things can't get any worse -- or weirder -- Cannie's long-lost (and largely unlamented) father shows up at her doorstep, and Joy swipes her mother's credit card and heads West in pursuit of the grandfather she's only seen once.
Book Reviews:
"Readers already involved with Cannie will enjoy this, despite Joy's equally strong voice." - Publishers Weekly.
"A touching examination of both the comic and tragic moments that mark the mother-daughter relationship." - Kirkus Reviews.
"Starred Review. Weiner is a talented writer who consistently delivers the goods. An essential read for fans and an essential buy for public libraries." - Library Journal.
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