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Published Dec 2001
320 pages
Genre: Biography/Memoir
Publication Information
When the ship veered into the Cape of Good Hope, Mum caught the spicy, heady scent of Africa on the changing wind. She smelled the people: raw onions and salt, the smell of people who are not afraid to eat meat, and who smoke fish over open fires on the beach and who pound maize into meal and who work out-of-doors. She held me up to face the earthy air, so that the fingers of warmth pushed back my black curls of hair, and her pale green eyes went clear-glassy.
“Smell that,” she whispered, “that’s home.”
Vanessa was running up and down the deck, unaccountably wild for a child usually so placid. Intoxicated already.
I took in a faceful of African air and fell instantly into a fever.
In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.
From 1972 to 1990, Alexandra Fuller – known to friends and family as Bobo – grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerrilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation.
A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.
"Fuller is a brave writer who pushes the boundaries of her genre." - The Telegraph
"A classic is born in this tender, intensely moving and even delightful journey [Don’t Let’s Go to the Dogs Tonight]. . . Fuller’s book has the promise of being widely read and remaining of interest for years to come." - Publishers Weekly
"She writes with wit and a tough, self-revealing honesty of the loneliness, boredom and poverty of life in those shadowy borderlands, of the shattering silence of the long nights after the generators have been switched off and of continual fear...At times, she experiments too much - with alliteration, compound adjectives and short verbless sentences - and in so doing her book becomes an engine of self-delight, a work of exhibitionism: look at me! Yet, once she relaxes into her style, the exuberance and magical readability of her narrative compels the suspension of all critical judgment. Fuller, like Arundhati Roy, whom she stylistically recalls, has the stardust of future celebrity all over her. Her memoir is terrific." - The Observer
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Alexandra Fuller is the author of four memoirs, including Don't Lets Go To The Dogs Tonight – a New York Times Notable Book for 2002, the 2002 Booksense Best Non-fiction book, a finalist for the Guardian's First Book Award and the winner of the 2002 Winifred Holtby Memorial Prize – and the New York Times-bestselling Cocktail Hour Under the Tree of Forgetfulness, two books of non-fiction, and the novel Quiet Until The Thaw. Her writing has appeared in The New Yorker, National Geographic, Granta, The New York Times, The Guardian and The Financial Times.
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