The Penelopiad Reviews
"While the story isn't new, Atwood's approach reminds us that there are endlessly original ways to tell it. Grade A." - Entertainment Weekly.
"Despite the jokiness, anachronism and rumbustiousness, Margaret Atwood's Penelope is coherently and persuasively imagined; a heroine transplanted from contemporary Toronto to the Elysian Fields." - London Times.
"Unhurried, unshowy, she gives us the huge pleasures of rhythm and structure and story, and characters too - the rough Odysseus, the perhaps duplicitous wife, Penelope, and her "intolerably beautiful" cousin Helen of Troy." - The Telegraph (UK).
"Much of the story's rich material has been dumped at the back of the book in a single chapter .... This marvelous material seems not to have been metabolized by Atwood's imagination, and the result is merely a riff on a better story that comes dangerously close to being a spoof." - New York Times.
"Like opera lyrics exposed in all their naked banality in translation, myth does not fare well in this colloquial feminist retelling, especially in the choruslike commentary of Penelope's maidservants, who are executed for murky reasons on Odysseus' return, a feminist outrage of particular interest to Atwood. This is an 'Odyssey" that sets sail on a sea of theory. Without language that sings, myth isn't myth at all." - The Boston Globe.
The information about The Penelopiad shown above was first featured
in "The BookBrowse Review" - BookBrowse's online-magazine that keeps our members abreast of notable and high-profile books publishing in the coming weeks.
In most cases, the reviews are necessarily limited to those that were available to us ahead of publication.
If you are the publisher or author of this book and feel
that the reviews shown do not properly reflect the range of media opinion now available,
please send us a message with the mainstream media reviews that you would like to see added.