Jasper Fforde
Three separate interviews in which Jasper Fforde discusses the Thursday Next series, his Nursery Crime novels and Shades of Grey, the first in a trilogy set in a future world recognizable as our own - but only just.
Abraham Verghese
An interview with Abraham Verghese about his life and writing and in particular about his extraordinary 2009 novel Cutting for Stone, set in 1960s and '70s Ethiopia and 1980s New York.
Martha A Sandweiss
An interview with Martha Sandweiss in which she discusses her book Passing Strange, a biography of Clarence King who lived a double lifeas the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter named James Todd, married to Ada with whom he had five children.
Amy Greene
Amy Greene talks about her first novel, Bloodroot, which brings her native Appalachiaand the faith and fury of its peopleto rich and vivid life.
How did you
come to write The Miracle Life of Edgar Mint? Was there a specific event that
inspired you to write a book about a mailman running over the head of a young
boy?
My wife's ex-boyfriend was actually run over by a mail truck, just
like Edgar in the book. This guy was dating my wife at the same time I was
dating her (unbeknownst to me) and when she finally fessed up about it, I
demanded to know all about this bastard. Among other things, she told me that in
his youth he'd been run over by a mailman and was so badly injured that he was
presumed dead. It turned out that he survived and went on to become my rival for
my future-wife's affections. Anyway, after my wife's confession, I went out
to find this guynot to beat him up, but to verify his story. I found him at
his apartment and he very graciously told me everything. He told me there was
one thing he wanted to do in this life: find the mailman and tell him that he
was okay, that he had lived a healthy, normal life. I jotted it all down in a
notebook while he talked, knowing I'd write a book about it some day.
Have you received any reaction from the Native American community in
response to the way reservation life and the Willie Sherman school are
represented in the book?
The only responses I've gotten from Native Americans have been good
ones. It seems that only educated white folks object to the portrayal of the
reservation and the school. Most Native Americans are quite aware of the extreme
poverty and destitution that can be found in reservations all over this country.
What sort of research did you do for this book?
A lot more than was actually necessary. I spent a lot of time at the
boarding school, talking to people, getting the feel of the place. It's one of
my favorite places in the world and one I will return to time and again. I also
did some research on brain trauma, but in the end I learned that convincing the
reader is all about attitude. You simply render your material in such a
convincing way that the reader has no choice but to believe.
What, if anything, does Edgar's typewriter symbolize? What about his
urinal puck?
Not to be difficult, but the typewriter and urinal puck don't
symbolize anything at all, not to me at least. I guess I don't believe in
literary symbols. To Edgar these objects are simply sources of comfort,
replacements for the loved ones he doesn't have.
In your opinion, is the character Edgar Mint an optimist?
Yes, mostly because he doesn't know any better. Somebody smarter
than me once said that children are able to survive the afflictions of the world
simply because they aren't aware of the alternatives. Edgar expects nothing
and does the best he can.
Edgar's relationship with the Mormon Elders and his baptism represent a
new and arguably better stage in his life. Any comment on the role religion
plays in the book?
I grew up in a very religious household and though I'm not the most
spiritual or religious guy in the world, I know that God plays a central role in
the lives of people everywhere. It's hard for me to understand why so many
contemporary writers seem to be reluctant or downright afraid to confront God in
their work. I guess I write about God because God is in our lives, whether we
want Him there or not.
Can you name some of the writers that have inspired you or influenced your
work?
My biggest influence is Mark Twain. There has never been a funnier
writer and yet very few have possessed a darker view of human existence. I love
Flannery O'Connor and Gunter Grass and I've learned a lot from contemporary
writers like Denis Johnson and Barry Hannah. When I was 11 my mother gave me
Kafka's The Metamorphosis to read. I don't think I've been the
same since.
What are you working on now?
A novel called The Lonely Polygamist. My first novel is about
a boy who is totally alone in the world, without family or tribe. So I thought I'd
go in the opposite direction with my second novel: a story about a guy with 4
wives and 28 children.
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