Jasper Fforde
Three separate interviews in which Jasper Fforde discusses the Thursday Next series, his Nursery Crime novels and Shades of Grey, the first in a trilogy set in a future world recognizable as our own - but only just.
Abraham Verghese
An interview with Abraham Verghese about his life and writing and in particular about his extraordinary 2009 novel Cutting for Stone, set in 1960s and '70s Ethiopia and 1980s New York.
Martha A Sandweiss
An interview with Martha Sandweiss in which she discusses her book Passing Strange, a biography of Clarence King who lived a double lifeas the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter named James Todd, married to Ada with whom he had five children.
Amy Greene
Amy Greene talks about her first novel, Bloodroot, which brings her native Appalachiaand the faith and fury of its peopleto rich and vivid life.
It is the story of a young woman who absorbed the cruelties of her husband,
an alcoholic, haunted Korean War veteran, until she could stand it no more, then
gave up her whole life for her children. By picking cotton, cleaning toilets for
the gentry, doing worse, she made sure that her three surviving sons would not
have to walk around ashamed, in ragged clothes.
In a smaller way it is my story, the boy who climbed up her backbone and made
it out of that ring of poverty and ignorance, free and clean. It is about what I
did with the life she gave me, and how I tried to repay her, and how I
tried--and failed so miserably--to rewrite the past.
The book is set in rural northeastern Alabama, and chronicles a poor, white
trash family through three generations. The first third of the book is mostly
about her and him, and us, me and my brothers, as babies. It shows the agony of
the death of a baby brother who did not have to die, who didn't even get a name.
It also takes us with my father to Korea. He tugged me there, the last time I
saw him alive, when I was just 16. The tales of terror he told me there still
sit like a broken bottle in my mind.
The second third is about the wonderful life she gave me, the exotic, dark
places I went, taking her spirit with me, like a talisman. It takes us to Haiti,
to the transvestite hookers in the Village, to death row in Angola, Louisiana.
The last part is the getting even part, where a woman who had never been on a
plane, never been higher than a second-story bathroom floor, travels to New York
to see her son receive a Pulitzer Prize, and more. It ends with me keeping my
promise to buy her a house, a real house, with my bitter victory over my dead
father, and my sad defeat to the realization that no amount of brick and mortar
will wall up the past, will let us, as a family, start new.
I feature, briefly, an alcoholic brother who seems to have absorbed the
demons that killed my father in 1976. And I admit, finally, to having absorbed
them myself.
On its lighter side, it is a story of vindication. People speak to my mother
now, on the street.
On its darker side, it is all about revenge. Failed revenge."
--Rick
Bragg
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